WE GOT YOUR SIGNED COPIES OF THE COMPLETE CUL DE SAC RIGHT HERE, next to these signed copies of the art of richard thompson!
Richard Thompson, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year, has graciously offered to sign copies of this beautiful boxed set when you place your order through One More Page. Because cartoonists, like banjo players, are lovable but unpredictable, we can't guarantee a delivery time. We thank you in advance for your support, and your patience. Click here to order or call us at 703-300-9746. And why not take this opportunity to putchase a signed copy of Richard's Poor Almanac?
Saturday, August 30, 2008
But I did these drawings of George H.W. Bush, as practice, but also because he was and still is just about the most fun politician to draw, short of Richard Nixon. Somebody said years ago that the English produce the most caricature-ready politicians on earth, and GHW Bush seemed to have a face imported from the Sceptered Isle. But it wasn't just the face, it was the facial mannerisms, or espressions he pulled. And the expression is the most important part of a caricature, I think. GW Bush makes some of the same faces but he's more round and baby-faced while his dad is more elongated and tall-headed, and I'll go with drawing angular over doughy any day.
So really this is just another excuse to post old stuff I still like. These were never published, though I plundered them a few times for various freelance jobs. The last pencil sketch below is my favorite of the Bush Suite (as I've just named it) and I used it a coupla times, like in the color piece below it. That was done for either US News & World Report or Mother Jones, I can't remember which, to illustrate Bush's hyperactive mannerisms and, because I gave it to Art Wood back when, it's now held in the Library of Congress with most all the rest of Art's collection.
That last sketch was inspired by a photo of an Iroquois mask that's in my old copy of Gardner's History of Art from college. In doing caricatures you can fall into a rut; the same-old-same-old head, nose, mouth, etc. for a particular subject. I once heard the great caricaturist John Kascht say he was stuck on a job that wasn't coming together the way he wanted, his sketches weren't inspiring him, he was drawing the subject the same old way, he was having a bad day. Then he looked at a crumpled up paper bag lying in his studio and bingo, there was the face (I can't remember whose it was, somebody with crumpled up features). Since hearing that I've always made it a point to leave a lot of trash all over my studio floor, just in case some gum wrapper might suddenly resolve itself into Dick Cheney