This Week's Almanack, Plus an Old One

Here's today's. It's two weeks till summer and the DC area is already under a heat advisory, so I rushed this into print.


And here's one from I think last year. I only vaguely remembered it and didn't find it till after I'd already done the one for today. I can't say the new one's any improvement over the older one. But nothing else is getting any better, so why should I? Plus, it's too hot to work, even if you're working in a basement studio where the temperature never climbs above 70 degrees.

Reminder

HeroesCon is only two weeks away, so I'm confident youall have made your travel arrangements for the trip to Charlotte NC. It's three days jam-packed full to the brim with comics fun, and you'll kick youself to the curb if you miss it! That may be their official slogan.

And on Sunday afternoon all the fun comes to a peak when you get this-

SPOTLIGHT ON RICHARD THOMPSON | Room 219
The first great newspaper comic strip of the 21st Century has arrived, and like Mutts and Calvin & Hobbes before it, Richard Thompson's Cul De Sac has spent its first several months in syndication operating just underneath the pop-cult radar, adding papers steadily, readying to break out into the Next Big Thing. Join Tom Spurgeon for a wide-ranging discussion about art, caricature, and the Otterloop Family with one of the best cartoonists in North America, bar none. It's the panel you'll get to brag about attending in the years ahead, after Thompson conquers the comics world.

Frankly, it sounds like the manifesto of a madman to me and I'll be sitting in the back of the room, near an exit, where it's safe.

Cartoon Appreciation Week

For Cartoon Appreciation Week I'd like to offer a real treat; an Arnold Roth drawing I'll bet youall have never seen. It's from a magazine called Ameryka that was produced by (I think) the USIA during the cold war as a way to spread American culture around in Poland, then behind the Iron Curtain. And this issue was dedicated to American literature, so here's a cartoon map of American literature, drawn by Mr. Arnold Roth himself. Isn't it just a delight to study? To me his work always seems to make a noise, his lines hitting the page like notes in the air, sounding like something free & jazzy, which is fitting as Roth is a jazz saxophonist. And it's late and I'm prone to synesthesia. But look at those skewed New York buildings, and all those undulating, everysized figures, all fitted together as neatly as the pieces of a jigsaw puzzle

How many great moments in American literature can you identify? The winner will get his or her name mentioned in the exclusive comments section of one of our luxuriously appointed blog posts. Probably this very one.

The Deadline Cow

Instead of posting that awful deadline clown again, here's a cow. It's a deadKINE, if you're up for a crummy pun, and who isn't on a Wednesday?

This was another Why Things Are illo, and if I recall it ran in tandem with a drawing called something like Why are flies so cute?, the joke being that I had comically mixed up babies and barn flies, those being the subjects for that week. I'm still waiting for the laughter to start on that one. But that's the best cow I've ever drawn, and I've been trying to draw cows for over forty years.

Wha' Happen?

This is today's Almanack, yet another one that somehow devolved into a finger puppet. My first idea was to do an ilustrated version of McClellan's book, each illustrated incident being done in a different style. Dr. Seuss for McClellan, Edward Gorey for Dick Cheney and Don Martin for G.W.Bush. But it sounded better than it looked, and I couldn't get my hands on enough actual bits from the book to work with. Hence, this


And this was an Almanack from about two years ago, showing how prescient I was in predicting McClellan would write a book, though I was all wrong on the book itself. I was also wrong in spelling "McClellan". Fixing this mistake, I clearly recall, made Washington Post's Ace Comics Editor Suzanne Tobin late for dinner. And notice how very much this drawing of McLellan resembles the more recent drawing of McClellan. It's almost eerie.

Why Things Were

Here are some old things to share while I compile my massive & exhaustive report on My Visit to New Orleans. Back in the early '90s ace Wash Post reporter/Renaissance Man Joel Achenbach wrote a weekly column called Why Things Are. He'd been doing it for the Miami Herald, and when he came DC he kept it going. The deal was, he'd answer any question, especially if it was interesting, but the question had to be a Why question. Like, Why do you see stars when you rub your eyes, Why are there no green cars, Why are aliens always bald, Why don't we slosh around more since we're mostly made of water? The only non-Why question I remember him answering was What does the inside of your nose smell like, and I think that was adroitly rephrased into a Why question.

And my job was, I got to illustrate Joel's column. It was a dream job; they never cared what I did, so long as it was spelled right and wasn't salacious, and the subject matter was so far-ranging and the column's tone was so sprightly that the only work was in keeping up with Joel. Gene Weingarten edited the column, and it was after working with him on Why Things Are that he suggested I try a weekly cartoon.

These are some old Why illustrations I found in a drawer yesterday while looking for an old drawingof Scott McClellan.


Why didn't the Black Death kill everybody off?


Why does everybody drive so fast?


Why are Beavis & Butthead funny?


Why does food spoil? Or something like that, all the other ones had a note on it except this one. It might've been Why does the Seven Eleven sell those revolting hot dogs? For which there is no answer.

Strangled by Deadlines AGAIN

I've looked like this since getting back from New Orleans. My brother says time is measured differently in N.O., so maybe it's some kind of time-travel-continuum loss and when I returned to the real world I lost more than the five days I spent there. More later. But no real photos of the Reubens; I forgot to take a camera, then bought a disposable camera, then most of the time forgot about it, too. This is why I draw I guess, though I didn't draw much of anything while I was there either.

Home Again

Here I am at the Reubens in New Orleans. That's me, with a beer (just like always, ha ha!) in between Mark Tattuli and Mike Mikula at Broussard's Restaurant on Sunday night. And yes, that's about as clear as things were this weekend. Ha ha! No shiny divisional award plaque for me, but lots of happy, blurry memories.

More to come when I can remember it.

(photo courtesy of Tom Richmond, who doesn't know about this)

Exciting Chat Online Thing

On Friday at 1 pm several cartoonists attending the NCD deal will have a live online chat courtesy of the Washington Post, and I'll be one of them. Please, no hard questions or recipe requests.

See You Next Week

I'll be out of town till next Tuesday (see previous post). See you all then, and I'll have vacation photos to share! Oh boy!

Till then, please leave a funny joke, riddle or anecdote in the comments.

This Weekend

This coming weekend is the National Cartoonists Society's annual Reuben Award Convention Thing, and guess who gets to go? Well, lots of people, but one of them is me. It's in New Orleans this time, at the Ritz Carlton in the French Quarter no less (see photo above). I've never been to New Orleans, so I'm really looking forward to it. To get there I'll board the Crescent Express, an Amtrak train that takes about 26 hours to reach the City That Care Forgot (so called by Mark Twain). I'm taking a book, or maybe a whole bookcase.

I'm attending this year's Reubens because I'm up for an award. Every year the NCS bestows a Reuben Award, named after Rube Goldberg, on the Cartoonist of the Year. I'm not up for that, I'm up for one of the division awards, the division being "Newspaper Strips". Here's the full list of divisions and nominees, and here's the list of those up for Cartoonist of the Year. I'm up against Paul Gilligan of Pooch Cafe and Jim Meddick of Monty, both strips I like a lot. It'll be an interesting and a fun trip, even for a stick-in-the-mud antisocial guy like me who never leaves the house much except by astral projection.


Above is a photo of an actual Reuben Award, as designed by Rube Goldberg (it looks like it comes with a set of dinner plates, too). Originally it was to be a lamp, but it was converted into a trophy. Kind of a pity because it'd be a great lamp, especially if there was one on either side of a very ugly sofa.

So I won't have much to say here for a while, though a bit later I'll add the story of the only other time I went to a Reubens thing, back in '96, and how my rental tuxedo pants didn't fit.


Above is a photo I found on Google Images under "Crescent Express", which worries me. I don't think I can sit on that thing for 26 hours.

Ice Cream Sunday

This is the original, slightly different, version of today's Cul de Sac. It's drawn from life, as we have a Baskin & Robbins about three blocks from the house, and I've never been able to eat an ice cream cone neatly. I can recall eating an ice cream cone once when I was about six and having my usual trouble with it, and hearing my aunt say to my mom, "How'd he get it in his socks?" It's a skill I've passed on in varying degrees to both my daughters.


Another thing I've always had trouble with is drawing food. When I try to, I end up with a mass of lumps colored brown or green, with red specks. But I do like this drawing of an ice cream cone, drawn for the Diabetes Association about 20 years ago. I like the lumpiness of the background and the textures in the ice cream (pistachio?). I wouldn't care to eat that cone, as I'd probably drop it and kill myself, but also because I'm just not a huge ice cream fan. Usually about halfway through eating it I get bored with it and give it to somebody else. Now pie, that I'll fight you for.

Old & Outdated Poetry

Here are two poems from back around 1999. Neither of them has a reason to exist any more (in French that's raison d'etre), but I still like them, and what better place to put outdated poetry than a blog?

The Lit'rate Snob comes from when the Wash Post bundled all their Sunday color stuff in the same bag; it came separately, with the comics wrapped around the whole thing. Inside were the color ads, the TV section, the Magazine, and Book World. And every once in a while a letter to the editor would appear in the Post complaining about having to wade through all the other color stuff to get to Book World, like the letter writer couldn't bear to touch the comics on his or her way to the book reviews. So I drew this thing. See? It's hard-hitting material like this, and my willingness to go after issues that no one else will touch, that got me my Pulitzer.


This one comes from our misguided fear that when the year changed over to 2000 all our computers & electronics would be confused and everything would collapse. Ha ha! We were such dummies! But I knew better!


Hope you enjoyed them. Someday I'll post my 250 page epic graphic poem about the rescue of all those dentistry students in Granada.

Newt!

Newt Gingrich seems to be on the resurgence. I guess it's because the Republican Party is suddenly a great, yawning chasm and he's rushing in to fill it. There, that's my political insight for the month, or year even, and god knows it's probably wrong. I'm just waiting for the movie, when they put a white wig on Jack Black and tell him to ham it up.
I did this for USNews back when, around the time Speaker of the House Gingrich, the Home-Grown American Political Genius gathered his forces and shut down the government in a budget fight with Clinton. Or more likely it's from somewhat later, when Gingrich was out as Speaker and suddenly had some time on his hands to go camping and roast wienies.
Whatever, he's fun to draw, with that enormous, tetradodecahedral head and that teeny, obnoxious mouth.

Folksong Day! (was yesterday)

According to the alert historians at the Janus Museum , May 14th is National Folksong Day. Since it's never to late too celebrate anything, here are a few folksongs to learn and share with your friends, especially if you own a guitar and have no real talent for music.

I used to ride the Metro a lot, especially when I lived up in Gaithersburg at the end of the Red Line, which means that I used to doze off on the Metro a lot. I never missed my stop because of dozing, though I had a number of near-misses. One night after I exited the midnight train at the Shady Grove station (the last on the Red Line), I was walking along the platform, watching the now-empty train sliding past into the trainyard beyond, and in one car sat a very startled woman who looked sure that she'd be spending a long night on an orange Metro bench. I doubt she did; the conductors usually walked the length of the train before pulling into the yard and someone would find her at some point. But all I could think as she slid past was, glad that's not me. I thought about waving to her but didn't, and I'm glad, as it probably wouldn't have cheered her up any.

Ciao, Linus!

Linus is an esteemed Italian comics magazine that publishes Italian cartoonists & writers as well as international strips & features. This is the cover of the newest issue, in which Alice Otterloop makes her debutto. And, oh boy, my friend Max Olla of Balloons Blog has sent me some copies so I can enjoy the comic antics of the Otterloops in the language of Dante, especially if they go to Hell. I can't wait to see the magazine, though I'm warned that the Italian mail can be slow. If I start now, maybe I'll have mastered Italian by the time they get here and I'll understand all the jokes.

My Personal Commitment to Recycling, or, How to Tell a Joke Three and a Half Times

The above is last Sunday's Cul de Sac. This is an idea I had about 18 years ago. At the time, the Post's Sunday Outlook section was interested in maybe running a cartoon by me every week, and I came up with about a dozen roughs to show them what I had in mind.

This is the sketch of the sofa-man I did for the Outlook editor. The stuff I turned in was okay, nothing special, some better than others. For various reasons we never pursued the weekly cartoon deal. But I still liked this idea, so when I turned in some roughs to Gene Weingarten when we were talking abou maybe running a cartoon by me every week in Sunday Style, I resurrected this one.
Then, when the cartoon that eventually became Richard's Poor Almanac launched, I finally used the sofa-man sketch, but I stretched it out to two weeks. The cartoons below ran in mid-1997. For those not from the DC area, Wendy Rieger is a local newscaster who's cute.


Some day I'll use the sofa-man idea again, maybe in a graphic novel, something Kafka-esque. Instead of a big bug Gregor Samsa wakes up to find himself transformed into an ugly sofa, and he gets left on the curb where he's picked up by a guy scrounging for furniture for a group house in College Park, Maryland. Hijinks ensue and he finds true love at the end with a fainting couch. See? This stuff writes itself.

More for the Moms Out There

Contrary to the previous post, Mother's Day was founded 100 years ago by Anna Jarvis, whose single-minded efforts to recognize the accomplishments of mothers led to the Day's recognition as a national holiday in 1914. Her single-minded efforts also led her to become embittered by the holiday's commercializatiton at the hands of greeting card companies, candy manufacturers, flower distributers, etc, to the point where she spent most of her life and family fortune fighting those who'd tainted her holiday. She never married or had children.
I learned all this last year when I illustrated a short piece on Jarvis in Smithsonian Magazine.

Mother's Day

This is all true, every word, I swear.

Join, or Die

According to Mike Rhode's ComicsDC blog , yesterday was the anniversary of the first appearance of Ben Franklin's 1754 "Join, or Die" cartoon in the Pennsylvania Gazette. This image is regarded as the first American political cartoon, and there's an interesting Wikipedia page about it.
For Franklin's 300th birthday a few years back, I drew this. Franklin has always seemed like the most approachable of the Founding Fathers; he's a foxy grandpa, witty courtier, twinkly-eyed roue', home-grown Leonardo, and philosopher who wouldn't be king all rolled into one gouty package. And a pretty good cartoonist. If only he'd pursued it, what couldn't he have accomplished?