The blog of Richard Thompson, caricaturist, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year.
Tuesday, April 22, 2008
444 Years Young
April 23rd is Shakespeare's Birthday, and I'm celebrating by drinking lots of orange juice. My wife volunteers as a docent at the Folger Shakespeare Library and on Sunday they're doing their annual birthday party (there'll be cake for everybody so y'all come on down). One of the things they need for a children's craft project is orange juice can lids, lots and lots of them. I think they make jewelry or badges out of them. So we're pitching in and drinking frozen orange juice. or really I am, because nobody else here drinks orange juice (Sunny D doesn't count). My wife also runs the fifth grade Shakespeare program at my daughter's school. This year they're doing Richard III, or at least a forty minute version of it, with a big fight at the end, and the kids got to learn stage combat from a real stage combat specialist. So my house is full of wooden sword parts, handmade wooden-tray shields, costumes and orange juice can lids. And I'm full of vitamin C.
Monday, April 21, 2008
Sky Awareness Week
Saturday, April 19, 2008
It's Still National Poetry Month
Thursday, April 17, 2008
(blush)
This is from the Washington City Paper, the Paper of Record in this town (even if they did drop most of their comics and Rob Ullman's excellent illustrations, what were they thinking?). If you see it in the Washington City Paper it's so, like Virginia O'Hanlon's father said about the New York Sun. And thank you, Mark Athatakis, from this now officially designated Local Institution.
And congratulations to Mike Rhode whose blog, Comics DC, won for (Comic) Art Blog.
Tuesday, April 15, 2008
Wright, Obama & Audience
A Milestone in Comics History
Here's a piece of phony Comics History, presented to you a few days early so you can plan how best to ignore it. Back in 2000 the Post ran a daily feature called The Century in the Post, reprinting whatever article was most interesting for that day from the last hundred years, duh. And the feature looked a lot like this parody, except it wasn't hand-lettered and it wasn't made up. I'll come clean and admit that I don't know when Dagwood first took a nap on his sofa, but I'll guess that I chose the date August 18th because I couldn't think of anything else to draw for that week.
Sunday, April 13, 2008
Baseball
My younger daughter, who goes everywhere, went to a Nationals game today in their new stadium, the first in our family to make it there. We've all been to 6 or 7 games in the old RFK stadium and I'm looking forward to trying out the new place. I'm not a big sports fan, but sitting in the bleachers with a beer & a hot dog and trying to pay attention to what's happening on the field is one of my ideas of a good time. The first few games we attended I kept trying to explain the game and the stats, but kept hitting a wall of ignorance, especially with the stats. So we just watched and cheered whenever the Nats did something obviously good. And stretched in the seventh inning.
This was drawn for a special all-Nationals edition of the Post Magazine back in aught-five. Dad is explaining things to Alice, with probably the same level of competence that I did. But it looks like they're enjoying themselves. And, if you look closely, you'll notice they stretch in the seventh inning.
Saturday, April 12, 2008
Today's Poor Almanack
The new, improved and relocated Newseum had its official opening this week, hence the above cartoon, which I thought of early in the week then put off drawing till two hours before it was due. On Friday the Newseum offered free admissioin, but as an adult ticket usually costs $20 I'm not sure how soon I'll visitor how often. When it was in Rosslyn VA, right across the river from Georgetown, I got there three or four times, but it was free then. The new Newseum sure looks nice from the outside, but it seems a little overbearing and grandiose and I mostly agree with Jack Shafer of Slate.com who wrote a very funny piece on it a few months back. And the Newseum bills itself as the world's most interactive museum and I don't know about you but, being standoffish and lazy I don't really like things too interactive. If it's just pushing buttons to make the little lights in the map light up or the millwheel in the little model gristmill spin that's one thing, I love stuff like that and the old American History Museum always had lots of it. But the Newseum seems to demand a much more intense level of commitment, plus it's all in hi-def 4-D which for me gets creepy real fast. And the way things are going, someday real soon the Newseum'll have on exhibit the Last Edtion of The American Daily Newspaper, taxidermied and displayed in a helium-filled case, with low lighting to preserve it from fading and a sign saying No Flash Photography. And a button to push so the pages will turn.
Maybe I'll revise my opinion of it if I actually go see the Newseum, and if they ever install a Hall of My Cartoons I'll deny ever having doubts about the place.
Thursday, April 10, 2008
Un Lavoro Bello
I got a very nice email today from Diego Ceresa, the translator who's doing a beautiful job of making Cul de Sac comprehensible in Italian so it can appear in the comic magazine Linus. I've wished for years that I'd learned Italian at some point as it's the language of Art, Music and Food, and it sounds like fun to speak. As it is, the only Italian I know is that provided by babelfish.altavista.com, where I just typed in "cul de sac" and got it translated into Italian as "cul de sac". So it's universal, which is a relief. "Bottom of the bag", the literal English translation of "cul de sac", translates as "parte inferiore de sacchetto", which sounds delicious and reminds me it's lunchtime.
Molto grazie, Diego!
And now, thanks to babelfish-
Ho ottenuto oggi un email molto piacevole da Diego Ceresa, il traduttore che ha fare un lavoro bello di rendere Cul de Sac comprensibile in italiano in modo da può comparire nello scomparto comic Linus. Ho desiderato per gli anni che italiano istruito ad un certo punto poichè è la lingua dell'arte, della musica e dell'alimento e suona come divertimento parlare. Mentre è, gli unici italiani che conosco sono che hanno fornito da babelfish.altavista.com, dove ho scritto appena "in cul de sac" ed ottenuto esso tradotto in italiano come "cul de sac". Così è universale, che è un rilievo. "la parte inferiore del sacchetto", la traduzione in inglese letterale "di cul de sac", traduce come "parte inferiore de sacchetto", che suona squisito e mi ricorda esso è l'ora di pranzo. Grazie di Molto, Diego!
Wednesday, April 9, 2008
The Ides of April
Tuesday, April 8, 2008
End of the Road for the Cul-de-Sac
My friend Alex Hallatt, genius cartoonist of Arctic Circle ,
sent me this link describing how bad cul-de-sacs are for the environment and for the mental and physical health of those who live on them . Uh-oh. Expect the strip to take a sudden bleak turn.
sent me this link describing how bad cul-de-sacs are for the environment and for the mental and physical health of those who live on them . Uh-oh. Expect the strip to take a sudden bleak turn.
Monday, April 7, 2008
Gene Weingarten Blows Lid Off Subway Fiddler Mystery; Wins Pulitzer
And richly deserved too. I hope you all read his Wash Post Mag story about Joshua Bell busking in the DC Metro. If not, go do it now . And watch the video of Bell in the subway. It's a fascinating piece, and it makes you wonder, what would you do if you were unexpectedly confronted with Beauty, Art & Genius in a wholly unlikely place? Especially if Beauty, Art & Genius was playing for throw money?
And my apologies for the above image. In several years of drawing Gene for his column this is the only one that looked remotely like him. Back in the early 90s, for about 5 years, I illustrated a column by Joel Achenback called Why Things Are that Gene edited (Joel & Gene, along with several others Post staffers, had migrated north from he Miami Herald when that paper took an editorial nose-dive). When Joel ended the column Gene asked me if I'd like to try a weekly cartoon, which eventually became Richard's Poor Almanac, and he was my editor for the first few years. So I owe Gene bigtime. And for a while on the side I illustrated Gene's column in the Post Magazine, where I'd often get to draw him and his fabulous mustache.
Update, here's another one, and not as mean, kinda-
Saturday, April 5, 2008
Today's Poor Almanack
Thanks to recent advances in technology I can now offer the latest up-to-the-minute Almanack the same day it appears in the Washington Post. So here's the one for today. As far as I can tell the only real joke is that it's all about comics but there's almost no actual drawing in it. Next time I'll try for no drawing at all, and no jokes either, and sign it "George F. Will" and see if anybody notices.
A Handy Map for Your Visit to the Damn Cherry Blossoms
We're going down to the Tidal Basin tomorrow to see what's left of the cherry blossoms.My wife's aunt & uncle, two of my favorite people, will join us down there, so I hope the blossoms haven't washed away in the rain.
When I was a kid we'd go down to the Tidal Basin at night to see the blossoms, and there'd be 3 or 4 military searchlight trucks positioned at intervals around the Basin. They'd sweep across the water, lighting up the blossoms and it was nice to see. I always loved searchlights when I was a kid and whenever we'd see one in the sky I'd want to go find it, which led my obliging parents to take me to a number of car dealerships and store openings. But I remember the lights down at the Basin in particular, and how whatever was used to fuel the flare in its central lamp (magnesium?) would hiss and how you couldnt look directly at it for more than a few seconds. I still like searchlights and whenever I see one in the sky (or several, as everybody uses those synchronized quadruple light gizmos) I get all excited and want to go find them. I'm easily amused.
When I was a kid we'd go down to the Tidal Basin at night to see the blossoms, and there'd be 3 or 4 military searchlight trucks positioned at intervals around the Basin. They'd sweep across the water, lighting up the blossoms and it was nice to see. I always loved searchlights when I was a kid and whenever we'd see one in the sky I'd want to go find it, which led my obliging parents to take me to a number of car dealerships and store openings. But I remember the lights down at the Basin in particular, and how whatever was used to fuel the flare in its central lamp (magnesium?) would hiss and how you couldnt look directly at it for more than a few seconds. I still like searchlights and whenever I see one in the sky (or several, as everybody uses those synchronized quadruple light gizmos) I get all excited and want to go find them. I'm easily amused.
Thursday, April 3, 2008
Take a Poet to Lunch!
More Damn Cherry Blossoms
Wednesday, April 2, 2008
First Petey
This is the first appearance of Petey, on February 15th 2004, in the second strip published in the Wash Post Magazine. He's changed only slightly; I think I like his hair better here. And below this strip is an Almanac cartoon from maybe ten years ago. See? It all fits together. Someday I'll figure out how every drawing I've ever done is a small piece of a larger picture, and my personality will then be so integrated that I'll be issued a certificate of guaranteed sanity by whoever's in charge of such things. Then I won't know what to do with myself.
I think the Captain Busybody strip just proves that superheroes are impossible to parody, unless the parody takes the form of Herbie or the Tick.
I think the Captain Busybody strip just proves that superheroes are impossible to parody, unless the parody takes the form of Herbie or the Tick.
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