Linus

And somehow Alice and Petey made the cover of Linus, the Italian comics magazine, where Cul de Sac is translated and lettered by the astounding polymath Diego Ceresa. I'm tickled because the above drawing is one of the few where I got Alice's hair right.

#15

I got an email from my syndicate saying Cul de Sac is in the top 16 comics by viewership at GoComics.com. This is, of course, dang awesome. 

Today's Cul de Sac

This blog has gotten a little moldy and stale, so to perk it up some I'm going to start a new feature that'll

run daily, or until I get distracted by deadlines, my insane social life, or a passing dust mote. The deal is, I'll post the day's strip and offer some kind of commentary or apology or justification. I could make it simpler and just say "I was on a deadline, okay?" every single time, but that's the lazy way out, so we'll consider that as understood.

Ernesto Lacuna, the maybe-imaginary child, is one of my favorite characters to write for. He's something of a Bond villain in embryo, as is evident from his remark about the extinct volcano, and he's enigmatic enough that I can write dialog that doesn't always make sense as long as it's vaguely threatening.

But Ernesto's also unimpressive enough that he's hard to take seriously. He's based on several kids I knew who wanted to grow up in a hurry under the mistaken impression that adults have all the power. Ernesto belongs to a group called Future Adults of America whose purpose is to gradually take over the world so that they'll be running it by the time they're in their forties, and he keeps trying to get Petey to attend FAA meetings. Which, from Ernesto's description, is mostly an excuse to issue position papers and to eat doughnuts. Disliking organized activities and food with holes in it, Petey has declined so far. Maybe he should go sometime, as it'd be fun to draw. This is the kind of idea I love, as I can revisit it, explore it further and get a lot out of it. And nothing's better than that when you're dealing with a daily strip.

Your Unnecessary Spot Illustrations of the Day; Heaven

Heaven shows up in cartoons an awful lot. Usually it's St. Peter fussing over the guest list or flocks of angels doing hijinks or Himself wondering if all this was such a good idea. So here are two illustrations dealing with heavenly stuff, both done for the Washington Post Magazine.  

I don't remember what the story that went with the first drawing was about, but the one below concerned someone with a bizarre business plan. He was going to enlist people with fatal diseases to pass along messages from loved ones to those they would presumably meet in heaven. I can see all kinds of flaws in this scheme, like how would they track the recipient down and what if they, or the recipient, went to the other place? I guess his business didn't catch on, and no wonder, but it did give me a chance to draw this thing.

Roadtrip!

Sorry, I didn't mean to leave the previous commercial announcement posted for so long (though of course, it's still a good time for some panic shopping at Amazon). The below is another old Almanac, this one a parody of a fairly long-running Washington Post Style feature called Roadtrip that suggested interesting places to visit, along with a route map that would link them. And it solicited readers to submit their own, so this is mine. I figure it's a good August, get-out-of-town thing to post.

Actually, I'd looked for something more Augusty, but I'd already posted them here and here.

"Children at Play" on Sale at Amazon! $5.20!

The second Cul de Sac book, Children at Play is on sale at Amazon for a limited time! Go here! Hurry! Panic shopping will get America moving again!

National Portrait Gallery

The National Portrait Gallery  shares a block-size building with the American Art Museum, and it's one of my favorite places in DC. Before it was bought and renovated by the Smithsonian, the place was known as the Old Patent Office. It's built around a wide courtyard that's now covered by a stunning glass canopy, and each floor has large, airy galleries, and interesting nooks and crannies and hallways. And there are several cafes and an excellent gift shop (that you don't need to exit through). And, bless their hearts, in the part of the gallery dealing with presidential images there are several works by great cartoonists, including Pat Oliphant, Ed Sorel and Mort Drucker. There've been some great retrospective shows in past years by Oliphant and Sorel too.

So all that said, I'm not sure why I'm picking on it here. But it is sometimes more fun to make fun of things you like than things you hate.

When I drew this several years ago I remember not liking it much and now I'm not sure why. I wouldn't mind drawing Cul de Sac with some of the same grotesquery I got out of some of these figures, and someday I just might. And I really like the painting of G. Washington, who's always fun to draw.

In recent years they've had some excellent shows at the NPG, including a selection of works from the National Portrait Gallery in London and a terrific show of Saul Steinberg's work that I saw often enough that every piece is still stuck in my head. So if you're in DC, go visit the Portrait Gallery right now, no matter what this stupid cartoon says.

Musée de la bande dessinée

My friend David Hagen has been casually globe-trotting for the last few weeks, getting as far as England and Belgium, where he visited the Musée de la bande dessinée in Brussels (the Belgian Comic Strip Center for those of us whose French is poor). This looks to be about the most elegant cartoon museum imaginable, and there's a bookstore on the premises called Slumberland that David says is as nice as one would expect. And look what he saw on the shelf, in amongst some collections of better strips-

Splut the Dummy

A close reading of today's Cul de Sac reveals that Petey is reading a comic called "Splut the Dummy." This  is one of the rare instances when a character in the strip is based on an actual person, as Splut the Dummy is a life-sized stuffed doll my wife made for some children's theater classes she's taught. Splut was originally built for a fifth grade production of As You Like It, where he was a stunt double for a fight scene. Despite losing his head during a particularly vivid performance, he's gone on to appear in dozens of shows in many roles in works by everyone from Shakespeare to Roald Dahl.

Right now he's sitting in a corner of the living room wearing jeans, some kind of renaissance tunic and a sombrero though I'm not sure why. He often makes visitors jump when the see him out of the corner of their eye, and me too for that matter. That's probably what he does in the comic Petey's reading; disconcert people.

Harry Potter Spoilt

If the last few years are any indication there'll be no new Harry Potter adventure unleashed at whatever remains of the bookstore in your neighborhood in 2010. After a decade of publishing Harry Potter books author J K Rowling seems to have hit a bump, her prodigious imagination stalled, and it may be permanent. There'll be a few more movies, and a goblin "Christmas at Gringots" TV special, but that's it for the books.

So, to assuage any pointless residual Potter anticipation, I've put together an almost complete collection of Harry Potter Poor Almanacks. This first one was from 2000, before I'd read any of the books, though my wife had. And before the fourth book, The Goblet of Fire, had been released, as you can tell from its misidentification.

It was a lot of fun to do; cartoons are always fun to do when I'm working from ignorance. By the time I did the second Harry Potter cartoon I'd read at least a couple of the books. The cartoon below is not the actual second cartoon (which I gave to a friend) but the reworked version I did for the Almanac book that incorporated some from the first cartoon. I hope that's confusing enough.

After two of these, I'd established a tradition of Harry Potter Poor Almanacs appearing every summer, and I took it as seriously as Rowling probably took her little series of books. For the next installment I took it in another direction.

But after years of this grind, I was getting pretty burnt out and tired of the whole thing. This is pretty evident in my penultimate cartoon (note the reuse of the Marmite joke; as it was from the book I figured it was fair game).

But I knew there was more to say. This final cartoon considered the Rowling oeuvre and its effect on human civilization.

The end.

Autobiography in Three Drawings

I did these for a project recently and they're offered here without commentary, except to say they are really accurate.

Fourth of July

Here are a few old Almanacs that are appropriate for today. This first one is a parody of a feature the Washington Post ran throughout its 125th anniversary year, each day featuring a story and a small copy of the front page from that day in history. It was very fun to write, especially those f's. 

When I was a small kid large fireworks shows freaked me out. Eventually I came to enjoy them a lot, but the noise was too much for me. My aversion probably dated to a huge fireworks show I went to when I was two at Fort McHenry in Baltimore. I dove under a blanket and didn't show my face for days, or I wouldn't have if my folks didn't pretty much insist on it.

This last was from back about 7 or 8 years ago when there was some talk of designing a memorial for John Adams down on the memorial-choked Mall. For me it was all about drawing that huge disapproving face and those clouds of hair.

Shapes and Colors

Just to keep things confusing, here's the final finished cover for the next book, due out late this Fall. Will the fun never stop?

Hot 'n' Humid

Here's an ancient Poor Almanac from about '99 or '00 (I really should put dates on these things).  DC is currently about 95º with humidity around total saturation levels. This goes out to Maria A. with all best wishes and hopes that she's cool, collected and comfortable.

And here's a bonus color sing-a-long. It's not the Dog Days yet, but posting it early will give us all a chance to learn the song in plenty of time.

Commercial Announcement, Updated

Cul de Sac: A Golden Treasury Keepsake Garland of Classics is now available on Amazon. Interesting production note- I had to redraw the cover twice (twice) because I kept mislettering the word Garland as Garden.

UPDATE: now Amazon says it's not yet available. Or the entire print run is sold out, I don't know which.

UPDATE: now Amazon says it's available again! Quick! Hurry! Time is running out! The whole thing may evaporate at any moment!

Arrival of Summer

Here are two old Almanacs on the same theme. I cast a big sweaty slow-witted guy as Summer because it makes sense, at least if you live here in the hot and humid side of the country.

The one below ran a few years later when I guess Summer arrived early.

Mr. Otterloop

In honor of Father's Day here are a few very early Cul de Sacs with some floundering attempts to delineate the character of Peter Otterloop, Senior.

The Post Magazine strip was more explicitly set in DC than the syndicated version so Mr. Otterloop's government job was a slightly larger part of the strip. My dad had worked in government off and on for years, mostly in fields related to public health, and I knew a bit about the workings of regulatory agencies from him. And I'd done freelance work for a few places like the FDA and USDA. Back in the 80s I did a bunch of illustrations for a magazine called Food News for the USDA and went to meetings in their main building called the U.S. Agricultural Research Service, a big old place that mingles with the Smithsonian and Freer Gallery on the Mall. The meetings would be on the top floor, away from the fancier part of the building which includes the Secretary of Agriculture's office and a huge lobby. Up there were long echoey corridors, high ceilings, skylights overhead and doors with transoms. It was kind of remote and peaceful and I liked it and I liked the people who worked there. So I put Mr. Otterloop in a similar place. But I never really developed that side of the strip. Office humor isn't my forte, others do it much better, and Alice kept interrupting whatever else I tried to do with the strip.

I did give him a puny car early on. This was from March of 04, predating the previous strip by a month.

And I tried to give Mr.Otterloop more of a personal milieu once or twice. This is from November of 05. Mad Dog Mayhew was based on several people, not the least my late friend Joe Mayhew, who worked at the Library of Congress for years and who knew more about South American literature and science fiction and everything else than anyone I've yet met (though I doubt he liked military history much).

So these were some early attempts to enlarge the strip before it'd quite found its focus. The characters aren't yet who they were later on and the gags and pacing is clunky. And Mr. Otterloop looks like a bug in those first two. I was going to add a final sentence starting "But...", but I can't think of one.

Today's Cul de Sac in an Earlier Form

This was done for the Post Magazine in (I think) 2006 and I redrew it (from faulty memory) for today's daily Cul de Sac. Post-apocalyptic wastelands are fun to draw, as you can tell from any video game.

Happy Bloomsday!

All around the world folks are gathering to celebrate Bloomsday, that day in 1904 when Leo Bloom and Stephen Dedalus had all sorts of wacky adventures around Dublin in James Joyce's Ulysses. Having skimmed the book, read the jacket copy and heard the book mentioned somewhere, I felt compelled to express my love for Ulysses in several old Almanac cartoons.

This was from about ten years ago when Ulysses was named the Novel of the Century by a panel of experts. It's scanned from an old copy, as I gave the original to someone.

And this one is probably more helpful, as it reduces Ulysses down into more easily digestible form. It's accurate enough for classroom use, so feel free to crib from it, but please provide attribution. 

The only Joyce work I've really read is Portrait of the Artist as a Young Man, though I've read a good bit of Dubliners. We read PotAaaYM in 11th grade and I enjoyed it well enough, with help from a good English teacher. I've tried Finnegan's Wake a few times without success. It's one of those works you can only approach after a good bit of preparation, study, exercise, dieting and psychic purging I guess, and I'm not yet worthy. You can't just plunge in and let it wash over you, which is how I read Gravity's Rainbow and most of the rest of Thomas Pynchon. After 3 or 4 times swimming through it, Gravity's Rainbow made perfect sense. No it didn't, but it became less obscure. The first few times I just enjoyed the jokes, songs and vivid scenes and didn't worry too much. Actually, I only read it the first time after I heard that Pynchon, a notorious recluse, sent the vaudeville comic Professor Irwin Corey to pick up the National Book Award he won for Gravity's Rainbow and I thought, hey, that book's bound to be a hoot. If I was braver I'd do a cartoon about Gravity's Rainbow, but not yet. I'll wait for my 15th read through, which won't happen till sometime in 2035 at my present rate.

Meanwhile, happy Bloomsday, and if you go on any epic pubcrawls, let me know.

Today's Cul de Sac. OK, Yesterday's

This was fun to draw, so I'm posting it. Though I was worried that it stopped making sense about 3 balloons in. So I added some more crosshatching, just to distract potentially confused readers

Your Unnecessary Spot Illustrations of the Day, Caricature Division

I spent today in one of those fits of pretend tidiness where you don't really clean things up, but rearrange them into new piles, then find a book you'd lost and read that instead of even pretending to clean up and then end up taking books off the shelf and strewing them all over the floor and then it's dinner time and then you don't get back to it and then, you, um. I lost my train of thought. But anyway, I took some old drawings out of frames that had never gotten hung up with the idea of putting newer drawings in them and not hanging those up either. And I took this one out. It's Al Gore from about ten years ago, done for USNews & World Report, and for some reason he's imitating Elvis. I remember doing this, finding the photo of Elvis and getting Al's expression just so, but I don't remember what the context was; something about Al Gore trying to funky up his image when he was running against GW Bush. But it does make a nice conversation piece, I guess, if you're trying to start a conversation on the intersection of Al Gore and Elvis Presley.

Speaking of unlikely intersections, I found this in a drawer. It was for the last page of Smithsonian Magazine about 5 years ago to illustrate a funny piece imagining Leo Tolstoy appearing on Oprah to shill for his book Anna Karenina. Tolstoy is a peach to draw, with that massive beard and big wedge of a nose. They don't make faces like that these days, of if they do, the don't put them on authors.

Your Answer in Essay Form

Please post you answer to this question (at right>) in the Comments section-

In the Washington Post, Cul de Sac now appears on page C-2 next to Doonesbury. This is a-

UPDATE- I asked for longer answers mostly because I was of two minds about the move. On the one hand I liked being on the comics page among all the strips I've read for so long. On the other hand, C-2 is a fine place to be, Doonesbury is a good neighbor to have and no strips were dropped from the Post lineup. From what I've heard, there was a good bit of editorial thinking on this by a whole stack of editors at the Post, and that was good to hear. So often editors are, often justly, accused of only looking at the comics out of the corner of their eyes, glancingly, to make sure they're still there and no funny business is going on. In this case decisions were made and for good reasons. So I'm fine with the move and as always it's just nice to see my strip on actual newsprint, every day.

And thanks for all your answers in essay form!

Barney & Clyde

Congratulations to my friends Gene & Dan Weingarten and David Clark on the launch of their daily comic strip, Barney & Clyde! I wish them great success. I have a personal stake in this as I introduced Gene to David and assured them all that this is a terrific time to launch a syndicated daily newspaper comic strip.

Above is an old illustration I did for Gene's Post Magazine column. I don't remember what the subject matter was for this, but it does look like me and Gene. Kinda.

HeroesCon 2010

I'm now in Charlotte NC, the Queen City, where I'll be sitting at table AA-105 at HeroesCon at the Convention Center. Tomorrow at 3 I'll be talking with the mighty Tom Spurgeon in front of a small but shrinking crowd. I expect to see you all there.

Today's Cul de Sac, Again

Again, we present this as a public service as the strip isn't loading on GoComics. We apologize for any inconvenience, and assure you that, though this is not our fault, measures are being taken to remedy this situation. Though we aren't sure what they are.

UPDATE- Today's strip is up at GoComics, and so is yesterday's.

Today's Cul de Sac

This is presented as a public service, as today's strip hasn't yet loaded on GoComics. It must be what we in the profession call a "glitch".

Home Again

I just got back from the 64th Annual Reuben Awards in Jersey City, and oh boy, what a good time I had! First, my sincere congratulations to Mr. Dan Piraro, the hardest working man in comics, for getting the Reuben this year. Well deserved, and about time, and Dan! Where were you? There was a very real danger of someone like Stephan Pastis rushing the stage and making off with that big shiny object. Not that I would ever do such a thing, as it might require giving a speech.

More to come, when I remember it.

The Reuben Weekend

As everyone in the nation is no doubt aware, this weekend is the National Cartoonists Society's annual Reuben Award Convention Thing, and it's being held here (above) at the Hyatt Jersey City, somewhere off the coast of Manhattan. And look (below) they've got a boat in case you want to leave!

I'm going to the Reubens in Jersey this year 1, to see friends I never otherwise set eyes on; and 2, 

because I'm up for the Reuben Award (below).

Every year the NCS bestows the Reuben Award, named for Rube Goldberg, on the Cartoonist of the Year. This year they've run short of names so I'm a nominee, along with two other, more deserving cartoonists, Dan Piraro and Stephan Pastis. Not only does the winner get the lovely ornamental statue, also scultpted by Rube Goldberg, but he (or she) evidently gets a set of dinner plates too (I make this joke every damn year and so far nobody's laughed). Goldberg supposedly planned his tumbling dwarves to be the base for a table lamp, but it somehow got reconfigured into a trophy. I don't think the ink bottle on top actually works, which is a shame because who wouldn't be inspired, overawed or just terrified into drawing better by using this massive objet as an inkwell? 

 

To get to Jersey City, you get on a train and get off at the stop just before Manhattan. I'm hoping I'm not the only one there because all the photos I've found of the hotel so far seem utterly devoid of life.

Updates if possible as they become available. 

Today's Cul de Sac

Today's strip features a musical in-joke so obscure and unfunny I'm ashamed of myself, and if you got it you should be too. Alice's four and a half minutes of lost time refers to a famous/infamous piece by the American Zen master composer John Cage, who investigated lots of sounds including silence. It's called 4'33", which is how long the performer is instructed to sit without playing anything; this makes the audience aware of the ambient sounds of the performing space, especially if somebody's stomach gurgles, or worse. And I figure Alice, as a 4 year old, places some significance on the number 4 and a half as that's her next step up.