Pellonreuna

Behold the Finnish version. It will soon be translated consecutively into Icelandic, Urdu, Hobbitese, Klingon, a private language spoken by a set of poorly-socialized identical twins living in Kansas, then back into English.

Blindtofte

Blindtofte is, of course, Danish for Cul de Sac. At least, I hope it is, because that's what it says real big on the cover of the Danish version of the first book just issued by Carlsen. Who did a lovely job of not just translating but also mimicked my clumsy lettering very nicely too.

Unfortunately, this guy didn't care for it much.

The Great Race

Several Metro stations around DC have glass elevators next to or between escalators, or vice versa. I get them confused too. This ran in the Post Mag in aught-six.

Hopeful Monsters

For years I've had a small semi-obsession with Hector Berlioz, the great French Romantic composer who was pretty obsessive himself. I like his music a lot and I like his face almost more. He had a wide, sharp edged face, piercing eyes and an aquiline nose. as you can tell from the painting below by the (great French Romantic) artist Gustave Courbet (and I wonder what they chatted about during the posing sessions, like, which one was the greatest, Frenchest and most Romantic). Best of all, Berlioz had this great big crest of brick red hair, one of the great haircuts of the Romantic Period (except for this guy).

He had an eventful, triumphant and disappointing life, like most people, at least during the Romantic Period. His music was revolutionary in all kinds of ways and was received with open arms and cold shoulders. A lot of his pieces were kind of hopeful monsters; symphonies that mutate into concertos or oratorios and vice versa, and most of them tell a story.  His most famous work, the Symphonie Fantastique, tells a gruesome story of obsessive love spun out of control, and it's always struck me as being like a movie with a silly plot but really eye-popping special effects.

Whatever, he just seems like a great guy to draw. Even if, on some days (above), he bears an unfortunate resemblance to Robin Williams.

And I'm not the only one to be inspired by Berlioz's face. The above caricature is by the great, somewhat-forgotten sculptor Dantan Jeune, who, while no Daumier, nailed some of the great personages of his day. 

So, you know, lemme at him. I did this little unthinking sketch some years ago and realized, hey, that's him. I had a frame and mat that was just the right size and color for what I wanted to do; a poster-like caricature with just a few flat, bright colors and a yellow background. And with his big red crest of hair maybe my Berlioz would look a bit like the Gallic rooster, as a kind of visual pun that nobody would get but me.

After way to much fussing, this is what I ended up with. They say works of art are not finished but abandoned. I should've quit while I was ahead, but I never got ahead on this one. I love the hair, it's the best watercolor wash I ever did, 5 or 6 layers of various deep reds and maroons, all without a frisket. But somewhere along the way I got panicky on the face and background. I'd seen some of the splashed, vivid work of the painter Deloss McGraw, so I tried splashing gouache on the background, which might've killed it. I don't know. This has been sitting in a drawer for a couple of years, and I'm not sure if I like it or not. I can't find the frame and mat I had for it, so this isn't going on any wall any time soon.

This (above) is pretty close how I'm feeling about it. Which is a lot of emotional baggage for a mere caricature to carry. But like I said, I've got a small semi-obsession. This should help put things in perspective, especially as you'll note, if you watch the whole performance of the Roman Carnival Overture at the link, they've got Basil Fawlty playing tympany.

Seconded

Today is the second anniversary of the launch of Cul de Sac as a daily strip, courtesy of the fine folks at Universal Press.

Timmy Fretwork

Today's strip reveals that Miss Bliss has become engaged to banjo virtuoso Timmy Fretwork over the summer holiday. Here's Timmy Fretwork's first appearance from an October '04 Post Magazine, which I redrew three years later for the syndicated strip. Mr. Fretwork is based on about five real people.

Little Neuro & the Dragon

Everybody loves to draw dragons, and who am I to be an exception? This is the middle panel of today's strip. If I'm drawing a Sunday like this I'll often think of the central image first, then attach panels on either side, so it'll make sense. This is how the triptych painters of the Northern Renaissance did it too, though it sounds an awful lot like the tail wagging the dragon.

More Rain

Like I said, drawing rain is hard, hough this came out OK. I'm starting to think that naturalism in a comic strip is the refuge of a lazy cartoonist. It'd be more interesting if the rain was funnier.

Awkward Moment

I'd hate to be the one they're all staring at, wouldn't you? That's a lot of cynosure to be the object of (if that's right).

Apotheosis of Alice

Here's a panel from an upcoming Sunday strip. It's pretty much the whole joke, so Whoops! What a give away!

The Iceman Cometh

This is for Amy, who said the Welcome sign made her laugh (and was probably too small to see in the paper).

Crowd Scene

Here's the middle panel of today's CdS. Because if I'm going to draw 500 berzerk toddlers I'm going to show it full-sized.

Rubber Room

Here's an illustration I did for this week's New Yorker. The story's about the Rubber Rooms that the New York school department uses to stash teachers with various complaints against them, where they can stay for months or years, even till retirement. Some of the complaints lodged against them can be fairly mundane, usually involving negligence, but a few were pretty lurid. Like one who was falling down drunk in the classroom.

So this was the first rough I did, which was rejected as being too extreme. Understandably, as it's a little extreme, you know?

Here's the final from the second sketch. I cleaned it up some and photoshopped out some clutter on the desk, The size changed on the page, so they cropped it on top, mimicking the watercolor edge and lowering the word "today". Et voila, an illustration is born. Or made.

2010 Already?

Look what's available at Amazon! Tear the page off each day and store it carefully in a helium-filled tank, for a lifetime of memories!

The extra content on back of each page includes riddles, puzzles, inspiring quotes, daily facts, useful tips for all professions, your lucky numbers, first lessons in Italian, directions for constructing your own trebuchet, addresses & phone numbers of celebrities, the full text of Proust's A Remembrance of Things Past, funnier cartoons by better cartoonists and Messages from the Future supplied by John Glynn. And it's also being offered as a six-page-a-day calendar for those of you with busy lives, or who just like to waste paper.

Click on the image below for a bonus wallpaper version. 

Remembering Elvis

This continues a tradition of running this on the anniversary of his passing, though I usually forget to.

Today's Mail

The FedEx Man brought me early copies of Children At Play, courtesy of Andrews & McMeel Graphic Goddess Caty Neis. Ooh, I hope the jokes are good, 'cause I've forgotten most of them. Review to come.

The image below was scanned off the original painting for the cover. I kinda had in mind that it should look like a parody of the million or so Little Golden Books that floated around my house when I was a kid till all the pages fell out.

Tom's Greatest Dance

It's now Rankopediaed as the Best Comic Strip Ever. Here's why Tom the Dancing Bug so richly merits this vital yet meaningless distinction.

The Pool

This ran in the Post Magazine two years ago and I meant to post it during the week of pool strips (which were, of course, reruns). It's a portrait of every suburban pool I ever frequented, or even (briefly) worked at.

Today's Poor Almanack

This is the first one I've done in about a month. I might be a little out of practice.

Contingencies

While I wait for my memories of San Diego to return, here's a job I did for my friend Bono Mitchell, the Graphic Goddess. When watercolor works, it's the most satisfying medium there is (when it doesn't it's an invitation to homicide). For the ground I used one of my favorite mixes- Daniel Smith Quinacridone Burnt Orange and Grumbacher Terre Verte. The quinacridone is transparent and staining and the terre verte is opaque and sedimentary so you get lots of happy accidents while they fight it out on the paper.

As a bonus, here's a previous cover. To view the full series see this post.