Fan Art Saturday Falls On A Wednesday

Ms. Tzipporah Mayesh of Los Angeles sent me this lovely drawing of Alice and Petey giving conflicting directions. She drew it on a postcard and wrote a very nice note on the back. Tzipporah attends Yavneh Hebrew Academy in Los Angeles, where she's a student in the art class taught by the great Rama Hughes. If I'd been a student of Rama's I'd really know how to draw by now. 

Your Unnecessary Spot Illustration of the Day, or, Goldman Sacked

Swell pun, huh? I did this for the New Yorker some years ago to illustrate an article about the history of Goldman Sachs, with some emphasis on the firm's culture of secrecy. And now I don't remember exactly what the auction angle was. But I do remember the story wasn't exactly complimentary. I post it to show that there's no important news story that I haven't illustrated, whether I can remember why I did it or not. I got so many piles of old drawings lying around that I might as well post 'em because I don't know waht else to do with them. I do know that I'm happiest with the little pink ears on the guys in the back row there.

In Celebration of National Poetry Month

Here are two views of T.S. Eliot and a limerick. The first Eliot I did for the Wash Post Book World in the late 80s. Actually, this one wasn't used; I rejected this drawing and did a second one that, though almost identical (not shown), was somehow better to my eye and turned that one in along with a companion illustration of G.B. Shaw (and I sold 'em both to Michael Dirda of the Post for like, really cheap). But I kept this one I'd rejected. Now I'm not sure what's wrong with this Eliot. Maybe he doesn't look enough like a ventriloquist's dummy, or the nostril isn't sufficiently ornate.

The second, lower Eliot is from a great book called The Holy Tango of Literature by Francis Heaney that I illustrated back in two thousand and aught four. And the limerick I wrote because it was fun.

Though donnish and quite dignified,
Tom Eliot once versified,
On the greenish-tiled wall
Of a men's restroom stall,
He signed it and then flushed with pride.

HeroesCon 2010

Thanks to the supremely talented and hospitable Dustin Harbin, I've just been invited to HeroesCon in Charlotte NC this coming June. Oh boy! Mike Rhode and I attended in 2008, had a thoroughly wonderful time, then last year I had to cancel at the last minute because of crummy health. But this year I'll be ready for it! All those fine people and fine food and the Queen City of the South, which was my Mom's hometown.

Earth Day Again

Here's a post from 2 years ago of an Almanac from 4
years ago. Because I love the Earth and I'm heavy into recycling.

Another Animation

This time I"ll try to embed it here. The cartoon this is based on was originally drawn in early 2004 for the Post Magazine and redrawn for the syndicated strip in 2008. In 2005 I saw a joke about a kindergarten teacher afflicted with glitterlung at The Onion. Coincidence? Yeah, I'm sure it was, but I got there first (though they get more points for calling it "pneumosparkliosis").

You'll note that among the very talented voice actors is my wife, the fabulous Amy, as Madeline Otterloop. To see more go here.

Your Unnecessary Spot Illustration of the Day

This was for something, I'm not sure what. Either a Gene Weingarten column, a Joel Achenbach column or an E.J. Dionne column, no doubt about dot coms. Whatever, I like it. Mostly because the artist looks so intense, like one of those New York abstract expressionists or post-expressionists of the 50s who in photos always seemed to have the entire existential weight of the world on their shoulders. 

Some Small Drawings for Project X

These are some small random-seeming drawings I did for a project I'm working on in all this spare time I've got on my hands. It's a secret right now, but once it's completed and unveiled before an unsuspected world you won't believe how you ever lived without it. Unless I get distracted or bored and wander off, in which case, eh, no big loss.

Today's Cul de Sac

When I drew this one I fussed with the background too much, putting in all this crosshatching and textured greys and all that mess. In a sudden fit of disgust and lucidity I blotted it all out with black ink. Nice, tasteful, simple black ink. Dr. Ph. Martin's Hi-Carb Black Ink to be specific.

There, that's my tale of drama, conflict and resolution for today.

New Cul de Sac Animations to Make Your Life More Fun

Thanks to the fine folks at Ringtales, through the courtesy of Babelgum, here are four more animated Cul de Sacs. If you listen carefully to the last episode, The One That Got Away, you'll hear my wife, the fabulous and accomplished Amy Greenisen Thompson, say "no."

GET WELL SOON

JUNGLE GYM

BENI CAN FIX IT

THE ONE THAT GOT AWAY

The Wisdom of Bill Griffith

This is the best advice for drawing comics I've ever seen. Forty points by Zippy's friend, Bill Griffith. Thanks to Sherm Cohen at Cartoon Snap, passed along by Tom Spurgeon at Comics Reporter.

One Fine Sunday in the Funny Pages

John Read, the indefatigable editor, publisher and comics fan, is putting together a show of original comic strip art that you could call wide-ranging, if you were given to understatement. He picked the publishing date of April 11, 2010 (that's today) and asked as many syndicated cartoonists as he could think of (pretty much all of them) to lend that day's original drawing for a show that, well, here's what John says-

I’m beginning with an exhibit featuring currently-syndicated comic strips. This show will be a unique, one-of-a-kind collection of today’s comics, from the oldest, The Katzenjammer Kids and Gasoline Alley, to the newest, Dustin, and will be billed as “a celebration of a quintessentially American Sunday pleasure.” One Fine Sunday in the Funny Pages will feature the original art of 85 to 100 different comic strips and panels (that will have been) published in newspapers on the same Sunday (April 11, 2010). Alongside the framed “raw” art of the strips will be displayed the actual comics sections from newspapers across the country, giving people a behind-the-scenes, before-and-after experience. The first showing of One Fine Sunday will begin in late May/early June of 2010.

A mostly-complete list of those comics John's got lined up is here, though it's grown to over 100 by now, some by cartoonists who hadn't even been born when John first thought this up I'll bet. And, if it works, I understand there'll be a printed color supplement version of the entire show, a chromatic effulgence of such brilliance and radiance it should only be viewed through smoked glasses lest it drive the beholder mad. From what I've seen of John's ingenious schemes, they mostly do work.

Above is what I came up with. The original's a mess, blops of white-out and food stains (probably jelly) all over it. So I hope the frame John puts it in is nice.

The Big U

I swiped this from the Universal Press Editors' Blog. It's a photo taken by Hugh Andrews of the looming shadow of the the UPS headquarter's big U logo cast on a neighboring building. It's like that scene in Journey to the Center of the Earth where the cast shadow of the Icelandic volcano Snæfellsjökull points out the crater that will lead the Lidenbrock party to the Earth's center. I'll bet you were thinking that too, right? So, c'mon Hugh and John and everybody! See if the big U points the way to a land of living dinosaurs and giant mushrooms and Pat Boone, who was in the movie version!

A Mostly True History

I meant to repost this earlier, but in my headlong rush to promote all the flashy new media iterations of CdS I forgot this very important lesson in our nation's history.

UPDATED Chris Sparks and Me and My Big Mouth UPDATED AGAIN

UPDATE- Here's the whole darn thing in 7 (seven!) parts. Bring a snack.

My friend Chris Sparks (comics fan extraordinaire, cheesemonger, web designer, Ashevillian) made me answer questions into a microphone a few months back. Here are 3 of 4 parts of it (hint- I'm the one who mumbles): 1, 2, 3. The whole thing runs about 14 minutes, though I haven't listened to all of it yet. The part where we get into a big fight about Popeye is epic.
And here's part 4. Part 5 will appear when it's been properly vetted for language.

New Cul de Sac Animations

Three new CdS animations by the fine geniuses at Ringtales have been posted at Babelfish. More to come. Can you tell which of the kids is voiced by an adult?

Easter Again, with the Complete Adventures of Hopsy Bunsy & Peeps McCracken

Fan Art Saturday Falls On A Wednesday, Peeps Edition

My friend Joe Sutliff, who had some time on his hands and has talent to burn, sent me these Peep Dioramas he did for the Washington Post's annual Peeps competition. I am astounded, as I'm sure you are too.

It's stuff like this that makes drawing a comic strip worthwhile. As anyone who's actually eaten a Peep will agree, I'm glad they've found another use for them as building material, and I hope they develop some way of constructing low cost, environmentally friendly housing out of the damn things. And that when they do they can find people who'd be willing to live in spongy pink and yellow houses.

Joe also made this, Alice's big ugly fountain. It's amazing, and it actually works! Dang, Joe!

My Little Scheme Begins to Bear Fruit...

Ahahhahaha! This latest bit of news confirms it! Even as I foretold, the nation's economy teeters on the brink, and my fortunes increase!

Drawing A Mostly Accurate Map

Before I drew this I went back to a Cul de Sac from April 18th 2004. Here's the first panel-

Which was also used in the first syndicated Sunday strip-

Then, because I wanted to research the roots of this image as an excuse to put off starting work on the thing, I looked at the Tower of Babel by Breugel-

Which is especially interesting because it's under construction and it's got little clouds around it. Then, in the interests of further procrastination, I looked up Mont St. Michel, which is the coolest place around-

There's also the city from that Creepy Classic, The Cabinet of Dr. Caligari-

And Minas Tirith!-

By now several weeks had elapsed, so it was time to do a rough-

That's in brown Pitt marker. Then I had to do something larger and more detailed-

This is about 11 by 17 and it's where I sketched in most of the ideas, about half of which were left out because they weren't any good. But I like this in some ways more than the final. I like the ghosts of lines and stuff that's obscured and the way it shows the process. Then I did another, simpler rough that I won't show because it's boring. But here's a detail from the final-

And now, because I don't know what else to add, here's a drawing from an old Joel Achenbach column in the Post Magazine. It's my dream house if only because it's got a great porch-