Hello, Charlotte!

This is where I'll be for the next four or five days, at the Westin Hotel in Charlotte NC. Some cool looking building, huh? I understand it unfolds into a giant robot if you push the big red button on the room phone.

I'll be down there attending Heroescon , accompanied by Mike Rhode of
ComicsDC . Okay, I'm more acompanying him, as we're taking his car, and he'll probably do most of the driving. So it's a road trip! I'll let you know how it goes and there'll be photos to show too, because we'll take his camera.

I haven't been down to Charlotte in almost 25 years, though my Mom was born there and I had a number of relatives around town, and we'd visit once a year. My Mom even wrote a book, The Suitcases , about her childhood there and in the Blue Ridge Mountains of North Carolina. I think Charlotte may have changed some since then.

Late Night Nib Talk: My Favorite Nib, a Repeat

The following is a repeat from October 8th, coincidentally my birthday. I offer it again because first, it deals with important issues that I as a cartoonist face daily; second, because when you google-image search "Hunt Imperial nib" this post shows up first; and third, because I'm going outta town on Thursday and I'm scrambling and this is all I got. But I've updated it some with useful information.


Ooh, lookit that baby! The Hunt #101 Imperial nib, excellent for penmanship, copperplate calligraphy, ornamental work and funny cartoons. With its dual shoulder slits, fleur de lys vent hole, compass, and this thing in the stock that tells time, it's a cartoonist's best friend. Unless, of course, the tip is a little bit askew or there's something wrong with the tines, or it's got a little schmutz in the main slit, in which case it's an evil, twisted, deceitful little monster who'll screw up every drawing it puts its point to, dribble ink down the sheet and break your heart. And you know what the difference between a good nib and a bad one is? It's microscopic! You can't see it! But you'll know it the instant you put the nib to paper. And don't get me started on brushes.

Update: how to give yourself an inadvertant jailhouse tattoo. Here's my method. I draw something in pen & ink and screw it up somehow, and this makes me pointlessly mad. So I take the still ink-loaded nib pen in my right, or drawing, hand, and jam it into the papere towel I keep in my left, or non-drawing, hand. And I do it a little too hard, so that the still ink-loaded nib goes a good quarter inch into my left palm. This leaves a small permanent mark, which could be called an idiot's stigmata. I got mine about 17 years ago and it's still vivid, and whenever there's a lull in the conversation I'll show it off. I know at least two other cartoonists/illustrators who have something similar. Which only proves that cartoonist/illustrators are likely to get pointlessly mad at inanimate objects when they screw up a drawing.

And per a previous comment; I feel that "nib" is short for something, like "nibben" or "nibboleth". Discuss among yourselves. Winner as always will have his/her comment published in a popular blog of my choosing.

First Field Trip Part 5; The Picture With the Shark In It

Despite the fact that the National Gallery has the only painting by Leonardo da Vinci in America, the dish-faced Ginevra de'Benci, as well as slew of wonderful Degas (my favorite artist by far), Vermeers (3 1/2, including the perfect Red Hat) and caricature busts by Daumier (the whole Legislative Belly); despite all that, the National Gallery painting that first made an impression on me is the one with the shark in it. It's called Watson and the Shark and it's by John Singleton Copley and it scares the pants off every kid who sees it, in an enjoyable kind of way. Brooke Watson, here depicted getting his foot chewed off, later became a wealthy London merchant and eventually Lord Mayor of London, and he bragged about his shark misadventure incessantly, even featuring a disembodied foot on his coat of arms. His political opponents circulated a snarky rhyme about how much he would've been improved if the shark had gotten his head instead. He sounds insufferable. But he commissioned this painting, beloved by schoolchildren all over DC.

I also remember going to the National Gallery back in the early 60s, when the Mona Lisa came to town. My mom and I stood in line forever, eventually entering a long room hung with deep red velvet curtains, and on the far wall there she was, large as life and twice as natural. I'd remember it even more vividly if Leonardo had somehow worked a shark into his composition.

UPDATE: In an almost unbelievable bit of harmonic convergence, my wife has this drawing of Brooke Watson on the computer desktop. She's doing an Art Ace class today at the elementary school, where a parent volunteer comes in and talks about an artist or arwork and the class does a little project based on it. And today by golly she's doing Watson and the Shark. I didn't know about this till after I'd started posting this series. I see the Hand of Fate in this; or maybe the Foot.

Father's Day

Yep, there ya go.

Final Olberman

Here's the final color Keith Olberman that appears in the New Yorker this week. It's the third sketch put on a lightbox and transferred to Arches 140 lb. cold press watercolor paper, stretched on a board (that's the fun part because I get to dunk it in the kitchen sink) and watercolored (but not over-watercolored). I think it came out fine, though the microphone doesn't stand out enough from his stripey shirt. But if you want to see somebody who knows how to do this more deftly and with more interesting color, go look up John Cuneo and Barry Blitt.
And please rush out now and buy a copy of the New Yorker, and one for your father, too.

First Field Trip Part 4; Grate Artworks of Western Civilization

Finally, we get to some Art. I remember going down to the Nat Gal with a little dinky sketchbook and drawing the vent. Drawing in public always makes me antsy for some no-good reason. After this ran in the Post Mag I got a note from a woman who'd been at docent at the Gallery, saying how little kids always noticed the fancy vents and would always stick their hands in them. I know I did when I went down there on field trips as a kid. It's one of the things you do growing up in the Capitol of the Free World.

First Field Trip Part 3; Simultaneously

Here's the third bit, from exactly four years ago yesterday. Notice how young and not-well-drawn everybody looks. Note for those not from DC, there's a merry-go-round on the Mall, right outside the Arts & Industies Building, down from the Smithsonian Castle.

The Reubens, by One Who Saw It (Them)

Here's a lovely piece of writing by Shaenon K. Garrity, who was there.
Thanks to Mike Lynch, who pointed this out first.

First Field Trip Part 2: the Gathering Storm

I'm sure there are laws against filling a minivan with preschoolers and letting their teacher drive them, but I chose to ignore them because I'm such a rebel. As Here Today Gone Tomorrow noted in a previous comment, here we witness the beginnings of Miss Bliss's mental breakdown, the very sowing of the seeds of madness. But it probably started much earlier, as it was once mentioned that Petey attended Blisshaven Preschool too.

Countdown

This is what I was working on last night, a caricature of Keith Oberman for the New Yorker. In the first he's yelling out of his fourth floor Rockefeller Center office (shades of "Network") and in the second he's posing like Edward R. Murrow with a giant microphone. In the end we combined the two sketches and revved up Olberman's pose into something more manic. Then I did a watercolor final, emailed it and went to bed, before dawn even.

Both of these are fast ink sketches on semi-translucent paper, so I can slipsheet them and rework them by semi-tracing. It's my favorite way to work, fast and dirty, and I wish I could always work like this.

First Field Trip

This was the beginning of the first field trip I sent the Blisshaven class on, back in '04. I'll post the next four or five strips in the series over the next few days. It was also the first multi-part story, or "story arc" as those in the know call it, though it pretty much led nowhere. Except to the National Gallery, where the floors are slippery.

The Beach Again

Long as everyone is making beach plans, here's a bit from the Otterloop's first trip to the beach, in '04. I grew up going to the Maryland beaches Rehobeth, Cape May & Bethany Beach, with side trips to Ocean City for some more raucous fun. Actually, way back in the '60s we'd go to Atlantic City, when it was an elegant place with older hotels and the boardwalk had little trams full of old ladies in hats and white gloves. That's about my speed these days, without the white gloves.

But here the Otterloops are visiting Geek's Neck, which seems to be like Ocean City with the volume turned down. I think the Big Fry place is a good idea; if there were a franchise available I'd buy one.

Contractor-Dictator

This illustrated a piece in the Post Magazine last year about a couple who hired a contractor to work on their house. The contractor they hired was a dead-ringer for Joseph Stalin, with an attitude to match. None of the contractors I've seen in our neighborhood have resembled world-class dictators, though one working down the street could pass for Huey Long. And we once hired a plumber who looked so much like Mickey Dolenz that I almost asked him to sing I'm a Believer just to see if it was really him, working under a pseudonym.

Beach Time!

This is from last summer. We've got a beach house lined up in Duck, NC, on the Outer Banks. Usually we have four to six people, but this year it'll be a dozen or more, so we're getting one of those large, Gormenghast-size houses, with all the bedrooms, bells & whistles. Nothing too overbearing or decadent, but it does have a swimming pool. I can't do the beach stuff like I used to, having overdone it some in my youth I'm advised to avoid all that direct sunlight that you often find outdooors. But I like the view, and the food, and the late night games of Spoons, Russian Rummy, Hearts, etc. And finding what humidity-bloated paperback best-sellers come stocked with the house. And what unusual items the kitchen drawer holds, and the annual search for which switch controls the ceiling fan, and renting bikes with my daughters, and finding revolting yet interesting items that've washed up on the beach, and the late-night beach strolls, which are always enlivened by trying to avoid all those tiny, scurrying ghost crabs, and seeing the moon rise. It's all good.

Like I said, this is from last June, when the Almanack celebrated its tenth anniversary. So here we are at the eleventh. I'm not sure what the correct gift is for an Eleventh Anniversary, but I think it's gas. Please leave your gifts of a gallon of gas in the driveway, betweeb the van, the station wagon that doesn't work and the garage. Thank you.

Vines!

This is all true! At least, the part about carbon dioxide pumping up vines. If you doubt it, swing by my yard some time. Bring a scythe.

A Note to the Graduates

I've never been to a college graduation, but I've been to lots off high school graduation. Well, six maybe. And I can't remember a word from any of the speeches.

This Week's Almanack, Plus an Old One

Here's today's. It's two weeks till summer and the DC area is already under a heat advisory, so I rushed this into print.


And here's one from I think last year. I only vaguely remembered it and didn't find it till after I'd already done the one for today. I can't say the new one's any improvement over the older one. But nothing else is getting any better, so why should I? Plus, it's too hot to work, even if you're working in a basement studio where the temperature never climbs above 70 degrees.

Reminder

HeroesCon is only two weeks away, so I'm confident youall have made your travel arrangements for the trip to Charlotte NC. It's three days jam-packed full to the brim with comics fun, and you'll kick youself to the curb if you miss it! That may be their official slogan.

And on Sunday afternoon all the fun comes to a peak when you get this-

SPOTLIGHT ON RICHARD THOMPSON | Room 219
The first great newspaper comic strip of the 21st Century has arrived, and like Mutts and Calvin & Hobbes before it, Richard Thompson's Cul De Sac has spent its first several months in syndication operating just underneath the pop-cult radar, adding papers steadily, readying to break out into the Next Big Thing. Join Tom Spurgeon for a wide-ranging discussion about art, caricature, and the Otterloop Family with one of the best cartoonists in North America, bar none. It's the panel you'll get to brag about attending in the years ahead, after Thompson conquers the comics world.

Frankly, it sounds like the manifesto of a madman to me and I'll be sitting in the back of the room, near an exit, where it's safe.

Cartoon Appreciation Week

For Cartoon Appreciation Week I'd like to offer a real treat; an Arnold Roth drawing I'll bet youall have never seen. It's from a magazine called Ameryka that was produced by (I think) the USIA during the cold war as a way to spread American culture around in Poland, then behind the Iron Curtain. And this issue was dedicated to American literature, so here's a cartoon map of American literature, drawn by Mr. Arnold Roth himself. Isn't it just a delight to study? To me his work always seems to make a noise, his lines hitting the page like notes in the air, sounding like something free & jazzy, which is fitting as Roth is a jazz saxophonist. And it's late and I'm prone to synesthesia. But look at those skewed New York buildings, and all those undulating, everysized figures, all fitted together as neatly as the pieces of a jigsaw puzzle

How many great moments in American literature can you identify? The winner will get his or her name mentioned in the exclusive comments section of one of our luxuriously appointed blog posts. Probably this very one.

The Deadline Cow

Instead of posting that awful deadline clown again, here's a cow. It's a deadKINE, if you're up for a crummy pun, and who isn't on a Wednesday?

This was another Why Things Are illo, and if I recall it ran in tandem with a drawing called something like Why are flies so cute?, the joke being that I had comically mixed up babies and barn flies, those being the subjects for that week. I'm still waiting for the laughter to start on that one. But that's the best cow I've ever drawn, and I've been trying to draw cows for over forty years.