Here's the final color Keith Olberman that appears in the New Yorker this week. It's the third sketch put on a lightbox and transferred to Arches 140 lb. cold press watercolor paper, stretched on a board (that's the fun part because I get to dunk it in the kitchen sink) and watercolored (but not over-watercolored). I think it came out fine, though the microphone doesn't stand out enough from his stripey shirt. But if you want to see somebody who knows how to do this more deftly and with more interesting color, go look up John Cuneo and Barry Blitt.
And please rush out now and buy a copy of the New Yorker, and one for your father, too.
