WE GOT YOUR SIGNED COPIES OF THE COMPLETE CUL DE SAC RIGHT HERE!
Richard Thompson, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year, has graciously offered to sign copies of this beautiful boxed set when you place your order through One More Page. Because cartoonists, like banjo players, are lovable but unpredictable, we can't guarantee a delivery time. We thank you in advance for your support, and your patience. Click here to order or call us at 703-300-9746.
Friday, July 25, 2008
We'll be away all week in lovely Duck, North Carolina, on the fabled Outer Banks, the Graveyard of the Atlantic. The above is a vehicle used by scientists at a facility near where we'll be staying. They drive it out into the surf to study tides and waves and surf and look for pirate gold. I'm going to steal it and drive over to France. I hear the food's good.
As always, you're invited to leave a comment in the form of a joke, anecdote, poem, thought for the day, etc. I may get to look in on this thing while I'm in Duck, or even in France. And I'm taking some work along to finish up so I'll need all the distractions I can get.
Thursday, July 24, 2008
Spoiler alert- the end is really sad, so, you know, brace yourself.
Sunday, July 20, 2008
Saturday, July 19, 2008
Those of us who live in DC are always thankful when we see tourists in our hometown. With no actual industry beyond the manufacture of laws, DC is pretty much dependent on tourism for our local economy. Who else would buy those ugly DC-themed knicknacks, T-shirts & gewgaws? Not me, brother, that's for sure. But sometimes tourists have to be gently instructed in some of our local folkways and customs, like not feeding Supreme Court Justices if they come up to your bus and bang on the windows when you're sightseeing on Capitol Hill. The most important tip in this cartoon is the one about standing to your right on Metro escalators. Clog up the escalator with your fanny-pack-wearing family and there'll be trouble from impatient commuters, and I ain't kiddin'.
The dated reference in this cartoon is to Lawrence Small, the deposed head of the Smithsonian. He worked a cushy exclusive contractl with the Showtime cable TV company, among other deals that raised eyebrows, and I think he pocketed some objects from the American History Museum, though I may be just making that up.
But I hope this will prove helpful to other solar-challenged beachgoers. It's from a few years back, when Angelina Jolie had her last baby, so for that reference please substitute the plural, babies, and feel free to make up your own celebrity baby names to make it more up to date. Pip & Oopsie works for me.
Thursday, July 17, 2008
The local TV newsman/broadcasting-personality who puts on a silly costume and stands in front of a cardboard set to introduce ancient cartoons and Three Stooges shorts is something kids today just don't have access to and I think they're the poorer for it. These shows were central to our daily routine and the local stations put a lot of love and work into them. Well, some. When you only have six or so channels available on your TV then each one has a more distinict personality, and these shows were a large part of it.
When I was about seven I got to be on Ranger Hal (I was wearing a kilt; long story) and, instantly if briefly, my status in the neighborhood shot up. I remember one kid asking me if I got to meet Felix the Cat, whose cartoons were a fixture on Ranger Hal, and I had to let him down gently as to Felix the Cat's incorporeality. I don't think he believed me.
And I think appearing on these shows probably did the TV newsman/broadcasting-persornality a lot of good too. If someone like say, I don't know, Bill O'Reilly had a half-dozen seasons in a clown wig and giant bowtie back early in his career he might be more grounded today.
Tuesday, July 15, 2008
Sunday, July 13, 2008
To that end, the TFP has organized an auction of especially created work by over 200 international artists, cartoonists and animators, as well as a gallery show and the publication of a book. Animators are the most energetic and indefatigable people out there, which may explain why their drawings move so much. I'm practically inert in comparison, yet they asked me to do a drawing for the Project, the only direction given was to draw my own Totoro. And it couldn't be Miyasaki's, so no tracing.
Well, I love My Neighbor Totoro, it's the most human-scaled of all of Miyazaki's movies, and little Mei is one of my favorite characters. I stole some from her when creating Alice (though I'm not sure they'd get along well; Mei is a lot more selfless than Alice). Here's my Totoro that I drew for the Totoro Forest Project
So please go poke around on the Totoro Forest Project site, there are some lovely things to see. And if you see one you'd like to hang on your wall consider bidding at the auction. All the info is at the site, or soon will be.
Here's something for a hot July day. It's from the Post Magazine of a year or two ago. I redid it as a daily too, but I like this one. All those tube slides and ladders & gantries and stuff was fun to draw, and Dill's dreamy fantasizing between Alice's insisent practicality was fun to write.
Saturday, July 12, 2008
This grew out of an article in Thursday's Post about suggestions for improving DC's "monumental core" from a panel of urban planning experts. Mostly they wanted to get rid of the ugly tangle of freeways that snake around the Jefferson Memorial and the Kennedy Center, but they also proposed extending the Mall in various directions and cutting a canal across East Potomac Park. It all sounds good to me but I doubt any of it'll ever get done. In other news, the Capitol Visitor's Center is scheduled to open sometime soon, a little later than the original opening date of Bush's Second Inaugural.
Thursday, July 10, 2008
The first one is just Obama bestriding the city like a colossus, pretty standard stuff.
But the second one, if it'd worked, would've been more interesting. It's supposed to be the big Picasso in the middle of Dailey Plaza transformed into an Obama caricature. It needs more work, but it's an idea.
Update: this would've run in the same issue as Barry Blitt's instantly-infamous Obama cover. I think mine might have looked a little puny in comparison.
Tuesday, July 8, 2008
Several times I've started the sentence "I don't wish to speak ill of the dead, but..." and then been at a loss as to how to continue. So I'll just say, Here's a sketch and a painting of Jesse Helms I did about 14 years ago for Mother Jones. I like the sketch more than the painting, which is egg-tempera & oil on board, a Renaissance technique I was trying to learn. It seemed perversly fitting to do a Cro-Magnon man in Renaissance Man style. I also started one in the style of a religious icon, with (dutch) gold leaf and everything, but I never finished it. But now I don't feel the need to, so I guess I've moved on.
This is scanned off a magazine tearsheet, but it's pretty close to the original. I gave the original to my friend Nick, whose uncle once ran against Helms, because it gave me the creeps.
Saturday, July 5, 2008
Thanks for this must go to faithful correspondent Here Today Gone Tomorrow, who requested a cartoon about the miles of temporary fencing along the George Washington Parkway. The GW Parkway runs along the Potomac on the Virginia side. It's a wonderfully scenic drive, running from the Beltway to Mount Vernon, and every Fourth of July its length that affords a good view of DC is jam-packed with fireworks watchers. To keep the fireworks watchers from blundering onto the busy Parkway the Park Service puts up temporary fences.
I was tickled to see a large photo on the front of today's Metro section of a stiltwalking neighborhood parade Uncle Sam. Just hope he didn't get stuck up there.
Friday, July 4, 2008
Today Mark Heath's Spot the Frog makes his last apperance in the newspapers, and the world becomes a sadder place. For the last few weeks Spot went meta when the tiny, mostly-amphibious cast discovered a pair of 3-D glasses and, looking through them, began to discern a larger world beyond the confines of their panels. It was an elegant, funny and darkly philosophical way to end a fine strip, and it's one I'll miss.
An updated note: comics.com is now running the earliest strips from their archive. After you look at the last Spot, jump to the first ones and watch Spot jump five full years into the past.
Thursday, July 3, 2008
Especially if you missed Canada Day. I hear last Monday was National Self-Absorption Day, but I didn't notice it because I was too busy (insert self-absorbed joke of you own devising here).
This is the Otterloop family celebrating the 4th in 2004, and if you've been reading this week's daily strips you'll see they did it much the same way this year. Our old neighborhood in Gaithersburg had the small-child-on-a-bike parade, with all the attending parents and a fire truck that hung around until a local fireworks accident would call it to duty. And some guy on stilts would always show up wearing an Uncle Sam hat. I never saw him any other time, so he was probably a ringer brought in from outside the neighborhood to enliven the parade.
This year we're going down to the Mall in DC for the first time in years to watch the fireworks and visit the Folk Life Festival. And probably visit at least one museum too when it starts to rain.