Nancy Beiman
So, there is a little 'tribute' featuring Alice and Petey Otterloop in today's strip. I figured that Mrs. Oldman could have traveled to Washington, D.C. for a Santa Claus parade that was affected by cutbacks.
from his Dispatches from NancyFest 2024 on Substack, and reprinted with his permission. Subscribe here - https://www.newyorkcartoons.com/
When I was here 6 months ago for Cartoon Crossroads Columbus —my first as a guest presenter— I got to see an extra special selection of art by my favourite cartoonist, Richard Thompson. Jenny had pulled them out, especially for me ahead of time.
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When I eyeballed Richard's original art for the first time I thought I was having heart palpitations. I pored over the Cul De Sac strips with a magnifying glass, forensically studying his line like Sherlock Holmes trying to solve A Scandal in Bohemia. I can't quite describe how important it is for artists (especially younger artists) to see original art, up close: white-outs, pencil marks and all. I never attended art school, but I've learned more from mushing my eyeball against great art than from any drawing class I've ever tried.
Jon's always been great about donating artwork for the annual auction at HeroesCon. Here's 2 pieces he did this year. The Mr. Danders balloon was photographed when Chris unwrapped the art and unfortunately has a reflection of packing material as a result. I bought the Alice and put it on the scanner when it arrived from Chris this week (we operate on Thompsonish time scales).
And a real quick page addenda for your existing book:
One of Richard's earliest jobs, done in a style he never returned to, was illustrating his mother's autobiography, The Suitcases. His mother, Anne Hall Whitt, spent some time in an orphanage in Charlotte, NC. The book is touching and worth reading.
The first time we went to HeroesCon, Richard and I visited the site (pictures now included below), and he was very moved by it. Here's some images from Bono's copy of the book, along with some material from Mrs. Whitt-Thompson's funeral that was laid in.
The following letter and photo layout are from Richard's father -
Richard wasn't really a chameleon - he was pretty much a WYSIWYG, except for a couple of minor things.
If he said, "Bless your heart," as a true Southerner's son, he may have either meant it, or "Damn you to Hell."
He was modest, but also he knew his value. He knew he was good, but didn't crow about it.
He also liked orange food, which may or may not be an attribute of chameleons.
Anyway, this is a project that he was part of in 1999. Can you tell what section he did?
He was the face. The other creators were Jeanne Turner, Annie Lunsford, Richard Steadham, Bono Mitchell, Dana Verkouteren, Ken Krafchek, and Patricia Cullen-Clark.
I know some of the group - Krafcheck teaches art at MICA, Verkouteren is a courtroom artist and caricaturist, and Mitchell and Lunsford have passed away.
Here's Diane Rickenbaugh for HOW Nov/Dec 1999 on the project:
I'm not sure what Richard did this illo for, but I bought the original from Bono Mitchell's estate -
As any regular reader of this blog knows, Richard did a lot of work for Bono Mitchell, an art director at BonoTom Studios. Recently I got a few magazines from her estate featuring Richard's work. Of this, most of it shouldn't be familiar - I think only the little girl at the blackboard appeared in The Art of Richard Thompson.
Tom Richmond also did some work for the studio, and gave his permission to repost one here, while saying about Bono, "I did several jobs with her as AD and she was a delight to work with. Funny, smart, and she knew her stuff. "