The blog of Richard Thompson, caricaturist, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year.
Friday, September 4, 2009
More Rain
Like I said, drawing rain is hard, hough this came out OK. I'm starting to think that naturalism in a comic strip is the refuge of a lazy cartoonist. It'd be more interesting if the rain was funnier.
Thursday, September 3, 2009
Awkward Moment
Tuesday, September 1, 2009
Apotheosis of Alice
The Iceman Cometh
Wednesday, August 26, 2009
Crowd Scene
Tuesday, August 25, 2009
Rubber Room
Here's an illustration I did for this week's New Yorker. The story's about the Rubber Rooms that the New York school department uses to stash teachers with various complaints against them, where they can stay for months or years, even till retirement. Some of the complaints lodged against them can be fairly mundane, usually involving negligence, but a few were pretty lurid. Like one who was falling down drunk in the classroom.
So this was the first rough I did, which was rejected as being too extreme. Understandably, as it's a little extreme, you know?
So this was the first rough I did, which was rejected as being too extreme. Understandably, as it's a little extreme, you know?
Wednesday, August 19, 2009
2010 Already?
Look what's available at Amazon! Tear the page off each day and store it carefully in a helium-filled tank, for a lifetime of memories!
The extra content on back of each page includes riddles, puzzles, inspiring quotes, daily facts, useful tips for all professions, your lucky numbers, first lessons in Italian, directions for constructing your own trebuchet, addresses & phone numbers of celebrities, the full text of Proust's A Remembrance of Things Past, funnier cartoons by better cartoonists and Messages from the Future supplied by John Glynn. And it's also being offered as a six-page-a-day calendar for those of you with busy lives, or who just like to waste paper.
Click on the image below for a bonus wallpaper version.
Sunday, August 16, 2009
Remembering Elvis
Friday, August 14, 2009
Today's Mail
The FedEx Man brought me early copies of Children At Play, courtesy of Andrews & McMeel Graphic Goddess Caty Neis. Ooh, I hope the jokes are good, 'cause I've forgotten most of them. Review to come.
Wednesday, August 12, 2009
Tom's Greatest Dance
It's now Rankopediaed as the Best Comic Strip Ever. Here's why Tom the Dancing Bug so richly merits this vital yet meaningless distinction.
Saturday, August 8, 2009
The Pool
Wednesday, August 5, 2009
Contingencies
While I wait for my memories of San Diego to return, here's a job I did for my friend Bono Mitchell, the Graphic Goddess. When watercolor works, it's the most satisfying medium there is (when it doesn't it's an invitation to homicide). For the ground I used one of my favorite mixes- Daniel Smith Quinacridone Burnt Orange and Grumbacher Terre Verte. The quinacridone is transparent and staining and the terre verte is opaque and sedimentary so you get lots of happy accidents while they fight it out on the paper.
As a bonus, here's a previous cover. To view the full series see this post.
Sunday, August 2, 2009
My Big Fancy San Diego Comic Con Report
It was all a happy blur. It might've helped if I'd taken the time to wipe my glasses off, but that would probably have destroyed the mystery, and when you're confronted with 125.000 people, the majority of whom are dressed as Wonder Woman, mystery is what you cling to.
More to come as my memory clears.
Today's Lio
The great Mark Tatulli tells me that the second child from the left in the bottom panel is me, and I believe it because I drew cars all the time when I was a kid. The only detail that he might've gotten wrong is the name; I was called Dickie for a long time. But I'm pretty thankful he didn't use Dickie, 'cause I don't want that getting out in public, no thank you.
Friday, July 24, 2009
Today's Pearls Before Swine
Leaves me speechless with delight. especially as how I can sue for millions and retire in comfort. Thanks, Stephan!
Tuesday, July 21, 2009
Thank You
For all the enormously kind messages, comments & emails. I didn't mean to leave the preceding post up this long, and now I'm feeling all maudlin and insufferable, like I should be posing for a Parade Magazine cover on facing adversity. And who needs that? I won't bring all this up again unless I need a cheap excuse, like, "this cartoon would've been funnier but, ow, my Parkinson's."
I have to go to San Diego today for 5 days of sensory overload. If I can figure out how, I'll post something from there. We'll see.
And I owe many of you emails, or worse, which are forthcoming. Meantime, if anybody's got any good jokes please leave them in the comments.
Thursday, July 16, 2009
Some News
When I started this blog two years ago with the kind urging of Mark Heath, I'd intended to pretty much stay out of it. Oh sure, I'd post work and whine about deadlines, and drivel on about pen nibs and other obsessions. But I wouldn't drag too much personal stuff into it, and I'd especially avoid photos of me (the post below and this one notwithstanding).
That said, I'm going to bend my vague rule a bit, mostly because with this San Diego Funfest looming I feel obliged to go a little public. For the last year or so I've noticed a few odd symptoms; shakiness, hoarseness, silly walks, random clumsiness and the like. So the other day I went to see a neurologist and, after having me me jump through hoops, stand on my head and juggle chain saws, he said I've got Parkinson's. It's a pain in the fundament and it slows me down, but it hasn't really affected my drawing hand at all and it's treatable . And it could be a useful ploy in my ever-losing battle against deadlines.
That's my news and, as I said, I'm passing it along mostly because I'm gong to be more sociable in the next week. And if I drop the chain saw in the middle of a presentation I want you to know why.
Friday, July 10, 2009
Wednesday, July 8, 2009
Old Historical Painting
This is an old illustration illustrating what I forget. It was done with ink, colored pencil and alkyd paint applied with a wad of the spongy foam rubber stuff they put under wall to wall carpeting, which was my favorite way of working, till I got sick of the smell of the Krylon spray that I'd use to force it to dry. Watercolor, that's the stuff.
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