Today's Cul de Sac, From September 7 To 11, 2010

Here's a quick tour of Your Week Before Last in Cul de Sac:

The usual complement of puppet theater puppets seems fairly standardized. You get your king, queen, wizard, maybe a lion or witch or a clown. Which seems kind of limiting to the modern youth of today.

Another cheap jibe at clowns, who exist only to make us happy and not to give us the creeps.

I have, of course, extensive plans for Mr. Headfinger in future Cul de Sacs, most of them rather gruesome.

This is the Friday strip, which is by the vague rules governing daily comic strip arcs the point at which the plot reaches its peak of tension, assuming that nobody reads newspapers on Saturday. 

Which is a shame, as no one got to see this act of fickleness and betrayal. But, hey! Pangolins! All right!

Today's Actual Cul de Sac September 19 2010

At last, a post that's about a strip that's actually the strip in today's newspaper (where available)! And that's the problem; I hadn't realized when I drew this (at a table at the beach) that it would run on the annually tiresome Talk Like a Pirate Day. Arrrrgh! So it's an unintentional tie-in, which throws the randomness of Dill's dream a little off. I just meant to make it silly and fun to draw, the latter of special importance because I didn't have my lightbox crutch to lean on. Really,  you get so used to using a particular set of tools that it's almost paralyzing when you have to rough it a little bit. 

Dill's dreams have been featured a few times, usually in a Sunday strip where there's more elbow room for his unconscious.  Here's one from a year or so ago, and it's more of a nightmare.

Coming up- we try to bring ourselves up-to-date with the daily strips.

Today's Cul de Sac, No, Sorry! This One's from September 12 2010

Somebody has some catching up to do, and as usual it's me. But seriously, what more need be said about Ernesto? Except that he may possibly exist in a parallel dimension that he may some day rule, and not exactly as a  philosopher king. Ernesto Lacuna is the closest I've come to one of those Marvel multiverse things that allows an author to devise plots at will, no matter how silly or untethered, without consequence. From what I've read about Stephen Hawking's new book on the way the universe basically works, this is the way the universe works, so anything goes.

Next- all those missed days from last week. But not consecutively because I'm not into that whole linear thing any more.

A Final Crummy Commercial

This will be your final warning, thankfully. Today's the last day of SPX, and I'll be sitting on one of the hotel's strangely low chairs at the table across from the CBLDF spread, to your left as you enter the room, at these convenient times.

Sunday 12:30PM - 1:30 PM
Sunday 4PM-5:30PM

I'll have books, T-shirts and original art available. And at 2:00 I'll be on a panel called "Brave New Comic Strip" featuring the vocal stylings of Keith Knight, Marguerite Dabaie and your host, Mike Rhode. It may change the future of the medium, hopefully for the better.

Third Time's the Charm

Today is the third anniversary of the launch of Cul de Sac as a daily strip, courtesy of the fine folks at Universal Press (who just picked up a strip called "Peanuts" that I've heard nice things about).

The only sensible reply to this is, How nice- where's Today's Cul de Sac with commentary?

Another Crummy Commercial

Those nice people at SPX have kindly offered a nomadic band of cartoonists, including me, the use of a table to sign things, sell things, and sit at when our feet get tired. Below are the times when I get my turn, subject to change.

Saturday 3:30PM-5:30PM
Sunday 12:30PM - 1:30 PM
Sunday 4PM-5:30PM

I'll have books, T-shirts and original art available, and a bag of greasy carry-out food tucked surreptitiously under the table. So please come on by! Bring your tired feet and get our special 2% tired feet discount!

Today's Cul de Sac, No, Sorry, It's A Salute To Blondie

On the occasion of Blondie's 80th birthday, with best wishes from a comic strip who's not even 3, here are all the old Poor Almanacs that featured Blondie. 

Today's Cul de Sac, September 6 2010

The whole point of this was to draw something big and looming and monumental, which is hard to do in a puny little comic strip. And of course, medieval war machines are always fun to draw, even for us lapsed Quakers. Here's another looming war machine, from a Washington Post Book World illo for a book about Hans Blix, circa 2004.

Your Unnecessary Spot Illustration of the Day

I found this and I've got no idea what the subject was. Did Thomas Jefferson even go to the beach? But it eerily fits a news item about sharks being caught in the Potomac River, so here it is.

Today's Cul de Sac, September 5 2010

Finally, we're up to date. This was fun to do- the silly big box store, the overblown copywriting and such, but I wish I'd staged the final action differently. It might've worked better if Alice had stepped onto the napmat and plunged immediately up to her neck in it, and in the final panel Mom had addressed Alice (whose head was only visible), saying something like, "Let's keep looking, this napmat is too fancy." No big deal, except this is the kind of thing that keeps me up at night. It's a form of George Lucas syndrome.

Oh well. The whole thread count joke was stolen from an old Poor Almanack, this one a parody of Christmas catalogs. I append the whole cartoon below, so you'll get the full effect and so I can make this post longer with minimum effort.

Today's Cul de Sac. No, Thursday's, Friday's & Saturday's

Just to do some more catching up- Oh, boy! Puppets and dressing up in costumes! Both of these activities come standard with most preschools and I'm embarrassed it took me so long to mention them. My basement has an old puppet theater and a pile of costumes in it, ready to load onto the gypsy circus wagon whenever the economy hits that point where it becomes more lucrative to be an itinerant puppeteer than a newspaper cartoonist, which may be next week.

Really though, every preschool classroom I've set foot in has been furnished and supplied almost entirely by leftovers and hand-me-downs donated by parents. The somewhat terrifying preschool in Toy Story 3 had some of that, though the building and facilities were a lot nicer than the ones I've seen. Another appearance by Sofie (above); I've really got to figure out what her deal is, but shrouding her in mystery seems to work fine for now.

And for what it's worth, I don't think Petey's burgeoning social life is going to change him much, in case anybody was worried that he might suddenly turn normal.

Today's Cul de Sac. No, Tuesday's & Wednesday's-

When last we left Petey he was about to step into his 3rd grade classroom for the first time again (again because, of course, he's been stuck in 3rd grade since 2004, the physics of comic strip time dilation/expansion being what they are; but really, no wonder he's neurotic). I think we all know the staggering discomfort of that first entrance into a new classroom. It's the stuff of nightmares, if the stuff is made of your everyday cringe-inducing awkwardnesses. As Petey is so finely calibrated for these things of course his psyche's going to overreact and split in two. I just like the idea that the out-of-body Petey is the aggressive one.

The first time Petey multiplied was in the strip below from late 2005 (I think). Having been a soccer parent, and a pretty lousy one, I can attest to the part about mom not paying attention.

Reminder of Exciting Upcoming Thing!

On September 9th (this coming Thursday) I'll be signing copies of the Cul de Sac Golden Treasury at Politics & Prose along with the wonderful Keith Knight, who'll be signing The Knight Life: Chivalry Ain't Dead. For a small fee, we'll switch over and sign each other's book instead. There may be a talky thing beforehand, which I'll let Keith handle as he's vastly more entertaining than I am. More details here.

Next up, Today's Cul De Sac, and the day before's and the day before that's.

More Deadline Enstranglement

Here's the Happy Deadline Clown, instead of the Creepy Deadline Zombie.

Today's Cul de Sac, August 31 2010

Okay, yesterday's. My apologies, I'm wrestling with the a deadline zombie (below). More to come later, including an investigation of the Multiple Petey Phenomena. 

Today's Cul de Sac, August 30 2010

I felt bad about the Otterloops not getting a vacation this year so I squeezed one in. Their last two trips to Geek's Neck were much more extensive, in part because I've always found beach towns hugely entertaining places and fun to parody. In the early 80s I tried to put together a strip about a beach town called Geek's Neck, loosely based on some of the towns scattered along the Mid-Atlantic coast that I know, like Ocean City MD, or Rehoboth DE, or anything on the OBX. But it was a half-hearted attempt and I gave up.

And here's a Bonus Unnecessary Spot Illustration for Today, this one for an article about college kids trashing beach houses for Smithsonian Magazine several years ago.

Today's Cul de Sac, August 29 2010

Well, yesterday's. Several readers have rightly complained about the lack of 3-D viewing glasses on Mom and Alice in this strip. It so obviously spoils the joke and renders the whole thing illogical and confusing. In my defense I can only say, I forgot that the audience had to wear glasses for the 3-D effect to work  I've been to only one 3-D thing, an amusement ride with pirates in it and all I remember is a flat parrot inexplicably flying at me and the brief resultant headache afterward. Also, I was drawing this so close to deadline that the printers were loading rolls of newsprint into the presses even as I was putting ink to paper, leading to one of those exciting race-against-time montages of an inexorably spinning roll of newsprint cutting to pen scratching on bristol board, back and forth in quick succession, till Wham! the cartoon is finished, scanned, sent, distributed and arrives at the printers just in time to make the Sunday edition and anger readers by its lack of 3-D glasses. 

Baltimore! Today! Again!

I had so much fun at the Baltimore Comic Con yesterday I'm going back again today. As I was sitting at my table all day Saturday, this time I plan to get up and walk around more and take in the sights. If you're one of the sights there I hope to see you.

Today's Cul de Sac, August 28 2010

I got nothing to say, except to remind you it's Read Comics in Public Day, and that you should celebrate by going to the Baltimore Comic Con.

Baltimore! Today!

As I mentioned I've got a table at the Baltimore Comic Con for today only thanks to John Gallagher, the genius behind Buzzboy comics, in his Comic Book Diner Fun Zone. I'll share a table with my friend Shannon Gallant, and I'll have a pile of books- all three Cul de Sac collections & Richard's Poor Almanac- and the 2011 CdS calendar, various other merchandise, and original strips. So I hope some of you good people stop by and take this junk off my hands because, really, this house isn't big enough.

Today's Cul de Sac, August 27 2010

About 20 years ago PBS showed a filmed version of Jean Shepherd's antic short memoir Ollie Hopnoodle's Cabin of Bliss. Shepherd is, of course, the author of the collected works that was turned into A Christmas Story, and he had a long career as a writer, raconteur, radio & TV host and other things as interesting. Ollie Hopnoodle was about the annual family vacation to a lakeside cabin, and one bit was about the bee that annually invaded the family car on the way to the cabin, supposedly the same damn bee every year. In the TV version it was wonderfully staged: the late '40s car coming to a sudden halt on the country road and the four family members jumping out, most of them dancing around and swatting and the youngest taking off lickety-split down the road, away from the camera. The camera held on them for a little while and it became funnier as it went on, especially the youngest gradually disappearing into the distance.

Anyway, I remember that pretty vividly and I laughed when I thought of this strip. It's not real inspired, and when I make myself laugh it's usually a warning sign of lameness. But it did let me off the hook as far as thinking up the full title of Petey's comic book is concerned. If you get a chance to see Ollie Hopnoodle sometime jump at it, and read the book too.

SPX!

The Small Press Expo site has just put up the programming information for 2010! And look, there's somebody with my name on it! Even better, there are some of my favorite people listed, too many to repeat here as I'd leave someone out and feel bad. So take a look, mark your calendar, and show up ready to be entertained, enlightened and something else that starts with en-. Really, SPX is a good time!

Today's Cul de Sac, August 26 2010

In the rough for this strip the text for Loris's middle balloon ran on and on with the words getting smaller and smaller and it looked, I thought, real funny. But when drawing the final it became obvious that all those words wouldn't stand any reduction and it just looked messy and self-indulgent, so it got curtailed into shorter and less funny form. That's pretty much all these daily posts will be from now on: evasive explanations of how that day's strip was really funny until it got drawn.

In answer to the many, many queries I've received from both of you, yes, Loris and Andre will be in the strip from now on. Not every day! Andre's too big and Loris wouldn't hold still. I've been trying to expand Petey's end of the strip for a while to give him more room to socialize, and I like these two just fine and they're both fun to draw. Expanding a comic strip is always a dicey business as strips are fragile little soap bubble things, so I won't push it too far and pop it. Introducing all of Dill's brothers, for example, would tear the whole space-time continuum to tatters. Though that might be good for a one-time laugh.

National Dog Day

Today is National Dog Day, so here's an appropriate repost, this cartoon having run 4 or 5 years ago. I dedicate it to my friend Nick Galifianakis, who draws the best dogs around, and who just lost his beloved friend Zuzu.

Your Unnecessary Spot Illustration of the Day

I've been slack in posting these vitally irrelevant spot illustrations, so here's one from the Washington Post Magazine of about 13 years ago. The story accompanying the drawing dealt somehow with alcohol in politics and these two, Grover Cleveland and Calvin Coolidge, represented two extremes on the drinking-alcohol spectrum; most bibulous and most teetotal respectively. 

I'm pretty sure I stole Coolidge's head shape from a caricature by the spectacular Miguel Covarrubias, though it does have a proto-Peteyness feel that creeps me out some. And the handling of the watercolor is kind of soft and timid. But I do like the looks of mutual disgust that flash between the former presidents.

Today's Cul de Sac, August 25 2010

Here we have a teachable moment: "borborygmus" is the scientific term for "stomach growling" (plural borborygmi, pronounced /ˌbɔrbəˈrɪɡməs/; from Greek βορβορυγμός). It comes from the ancient belief that digestion was the purview of a grouchy dwarf named Borbory residing in the stomach. His grousing at the lousy job he had pushing food around your innards, instead of bowling with his cousins, was heard as a growling sound, as opposed to the more dignified thunder that his bowling relatives caused.

I think that's right; it's late and the mind wanders, y'know? Anyway, the Stapling Ceremony seemed like a good way to wrap up the whole Cartoon Camp story and gives everybody a chance to dress up. The kids might be dressed as their titular superheroes, though that undercuts the fact that Petey isn't a big fan of superheroes- he's more likely to enjoy Jimmy Corrigan or Pim and Francie. Which is not to say his taste is sophisticated, just grimmer than a taste attuned to the gaudy spectacle of superheroics.

By now superheroes are mostly beyond parody. Stuff like the Tick and Herbie Popnecker pushed the absurdity of the tights little world about as far as it could go while still being funny. But the actual genre is its own best parody. I'd originally used the name "The Kaboomerang Kid" in Andre's comic title. A quick googling let me know that Kaboomerang is already a superhero who throws exploding boomerangs, of course.

Publisher's Weekly Says-

Publisher's Weekly, for years the industry bible for news & reviews, has nice things to say about the Cul de Sac Golden Treasury (for which you'll have to scroll down slightly at the link). They even gave it a star, which, critically speaking, is comparable to a Happy Face Sticker for Work Well Done. My thanks to mighty Mike Lynch, whose blog is more informative than this one, for passing this along on the Twitter.

Today's Cul de Sac, August 24 2010

Looking at this now I wish I'd put in a little more background. It had some in the sketch, but I worried about the busyness it might inflict, what with the top-heaviness of all those words and the silly costumes to look at. And the vital importance of drawing the eye to that stupid, old-timey-looking stapler.

More later....

Today's Cul de Sac, August 23 2010

Petey's favorite distancing mechanisms were first mentioned back when he tried to wear it to his oboe recital in one of the old Post Magazine strips and again when he wore it to Thanksgiving dinner. I had a box of hats when I was a kid and whichever hat I chose for the day would define who I was that day. My favorite for a long time was an orange plastic helmet that said Dennis the Menace on it. I didn't turn into Dennis the Menace when I wore it, but it was a good looking hat. I also had an array of capes, most of which came from the towel shelf in the linen closet.

I haven't done much with a dress-up theme, a glaring oversight as dressing in silly costumes is a vital part of childhood. Except for the above, a strip that originally appeared in the Post Magazine and got reused as a Sunday. In one of next week's strips a Dress-Up Corner is mentioned at Blisshaven and that might be the beginning of a new whatchamacallit: a new "meme". If that's the word I want.

To reference another British movie, there's a character in The Snapper, a little girl in an extensive family, who appears in completely different get-ups in every scene. Including a drum majorette outfit and once with shaving cream all over her head. That made me laugh and stuck in my head as a useable idea for future whatchamacallit: future "homage". No, "theft" is the word I want.

Today's Cul de Sac, August 22 2010

Dill's Grand Tour of local places of interest. As happens too often, I didn't know how this should end when I started it. This leaves open all kinds of possibilities, very few of which are necessarily funny. Having someone else barge into the strip is always a good solutions; it enlarges the conversation, gives a sense of life & activity beyond the panel borders, and offers me an easy punchline when all the other characters may be all talked out.

Actually what this one mostly offered was a chance to draw some pretty simple still life-landscapes and only a few people, which is good when deadlines are nigh. Though drawing the great dirt was harder than I thought it might be. I'd forgotten it, but the subject of socks in trees was discussed previously in Cul de Sac as part of a visit-to-the-library arc, back when the strip ran in the Post Magazine. 

Today's Cul de Sac, August 21 2010

Cartoon genius Stephan Pastis, whose approach to writing Pearls Before Swine is an adroit balance of left and right brains, has talked about having a go-to character he relies on when the ideas aren't flowing freely. That is, a character who'll inspire him, who's personality is forceful enough that he or she will pretty much take over the writing chores. For Stephan it's Rat: of course it's Rat, the evil characters are always the most fun to write because they're the unconstrained ids who can get away with stuff.

I'm not sure I've got a real go-to character, but I've always got Petey and when he's lying on his bed reading and half-ignoring Alice's unwanted presence the writing is always pretty easy. And it's pretty fun to draw too. A few times earlier on I varied the perspective a little or showed the bed from the other side, but it usually works best shown as it is here. It's easier to draw and looks more iconic, "iconic' being a nice way of saying if you repeat an characteristic image often enough it sticks in people's heads.

Shapes and Colors at Amazon

There'll be a delay in posting Today's Cul de Sac. To make up for it here's a distraction- I've just noticed that Shapes & Colors, the third in the regular, non-golden-treasury Cul de Sac books, is up at Amazon. And it's got the Look Inside feature, so you can preview a few random pages. Including the foreword by  Petey Otterloop, who thinks the strip is Okay, but he's seen better.

Today's Cul de Sac, August 20 2010

Alice's final appearance as a family spokesman. I've finally figured out a resolution to her fish-slapping-bear obsession, though that won't happen till at least December of 2013, as I'm working that far ahead (insert sarcastic-laughter emoticon here, if there is such a thing).

Actually I'm nowhere near there, so if you'll excuse me I'm going to go finish a Sunday strip for this Sunday (not really! you can put that same emoticon here, only make it slightly more rueful). And to make matters worse, I'm going to close with a commercial message.

On September 9th I'll be signing copies of the Cul de Sac Golden Treasury at Politics & Prose along with the wonderful Keith Knight, who'll be signing The Knight Life: Chivalry Ain't Dead. For a small fee, we'll switch over and sign each other's book instead. There may be a talky thing beforehand, which I'll let Keith handle as he's vastly more entertaining than I am. More details here.

Today's Cul de Sac, August 19 2010

Petey's world is suddenly larger and more populous than he's entirely comfortable with. But then, Petey's comfort zone is somewhat smaller than his own actual physical size, so it's easy to get him outside of it. There: that's what we've learned today. But we knew it already, so we may have wasted a day.

If I was home and had access to some older drawings I'd make this post be about paintings in cartoons, in this case their use as indicators of space. You'll note the two framed pictures of something in the background of panels one and two. They're both used as a simple way of identifying a flat interior wall and marking the depth of the set in this scene. See, for better example, the masterful Wiley's signature black-matted art hung so adroitly all over Non Sequitur.

 I get antsy drawing backgrounds; too much is confusing and too little looks lame. And interiors are harder than exteriors. It's easy to draw a patch of grass or a stray tree branch, but drawing a room? You draw a lamp and you have to put it on a table and suddenly you're drawing the carpet too and it's getting busy. But if you keep it simple and go with a blank wall or a strip of floor molding it's easy; for a strip featuring small kids I draw that all the time, usually with a nicely space-defining expanse of tile or wood panel floor. And a note to future researchers, please notice that when drawing a lower wall, as often as I can I put in an electrical outlet, both as a way of identifying that blank area as a wall and of introducing a potential hazard. So, there: that's what we really learned today.

Today's Cul de Sac, August 18 2010

Alice the family spokesman goes off-topic, releases too much info, is recalled for consultations by higher-ups. The idea of doing this as a press conference came to me when I realized that the Petey-Andre Playdate would be funnier off-stage, a clever cover-up for the fact I couldn't think of much for them to do that was funny. In this strip I like the crosshatching in panel two and the stray corn-popper in panel one. I regret not squeezing that popper into panel three.

And now an update from a previous post. I mentioned a scene in the movie Gregory's Girl and wondered if I remembered it correctly. Dan Halbert kindly sent me a screenshot and a fuller description.

Dan writes, "Gregory leaves for school (late). As he goes out his front door there's a mass of small children, and he has to step through them as he goes down the walk (and encounters more on small moving vehicles). One is also in a small tree. A short time later he is almost hit by the student driver his father in instructing." Thanks, Dan! My readers are the awesomest! They can screenshot rings around the readers of most blogs!