The blog of Richard Thompson, caricaturist, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year.
Wednesday, May 13, 2009
Pop Pop Synchronicity
I'm pleased and proud that today's Cul de Sac is in pop pop lawnmower synchronicity with today's The Doozies, which is drawn by the redoubtable Tom Gammill. Such cosmic coincidences just confirm my faith in the million monkey approach to writing Shakespeare.
I don't think I had a pop pop lawnmower when I was a kid, but my brother did. Sensibly enough, he called it a bop bop wubong.
Sunday, May 10, 2009
Mother's Day Special
Tuesday, May 5, 2009
A Very Happy Cartoonist Day
You may be wondering, "How can I best celebrate this festive day?" You might consider:
- Finding a cartoonist near you and mowing his lawn, at least the front lawn (especially the hard part with the hill).
- While you're at it trim his shrubs, so the mailman can find his front door again.
- Does his house need vacuuming? Well, what are you waiting for?
- Who left all these dishes in the sink?
- The cats; somebody feed the cats.
- You could take him to lunch at the Mexican place down the street, where they're having some no doubt cartoonist-related celebration.
- For God's sake laugh at his cartoons. If they appear in a newspaper, buy extra copies (or multiple subscriptions, even) and laugh at them too.
Saturday, May 2, 2009
For Free Comic Book Day: Today's Poor Almanack, Plus Some Old Ones
Thursday, April 30, 2009
Three Easy Steps to a Sunday Cartoon
Last Sunday's Cul de Sac made me happy, mostly because it started out as a kinda lame idea but ended up being pretty good. And , look, the colors came out pretty!
Above is the first sketch, where I had a vague idea involving Alice barging into Petey's room and annoying him with chatter. It was boring, so I gave her a puppet, which helped, but it didn't come alive until Beni joined her.
When in doubt for a big finish, introduce Dill. But I didn't know what he'd say until the very last minute. Above is the rough I sent my editor; you can see that I added the final comment outside the box. Then I moved it over to Dill's balloon, et voila.
Above is the first sketch, where I had a vague idea involving Alice barging into Petey's room and annoying him with chatter. It was boring, so I gave her a puppet, which helped, but it didn't come alive until Beni joined her.
When in doubt for a big finish, introduce Dill. But I didn't know what he'd say until the very last minute. Above is the rough I sent my editor; you can see that I added the final comment outside the box. Then I moved it over to Dill's balloon, et voila.
Thursday, April 23, 2009
Shakespeare's Birthday, Again
Tuesday, April 21, 2009
Saturday, April 18, 2009
Today's Poor Almanack
I've been wanting to do a cartoon about the Twitterverse ever since I heard the word, and figured it'd be something like the Blogosphere cartoon I did a year and a half ago. The plan was to end the cartoon with a link to a Twitter site that would, once you got there, provide the ultimate punchline. Well, that part didn't work, and I was so far behind when I got to drawing the final cartoon that I left out half the jokes I thought up (and they were classics, each and every one). And the cartoon goes off on a weird, pointless tangent about Twitterature, a word I made up after 120,000 people had already thought of it. A better cartoonist would've done a Twitterized version of Absalom, Absalom, but I've never read it and I'm lazy.
But what I'm left with is a stupid Twitter account with no ultimate punchline on it. Twitter seems to perfectly fit Dorothy Parker's implied definition of a fresh hell, but I figure let's keep our hells nice and fresh, so I'll try it until the banality and tedium of what I tweet becomes too starkly apparent. I read somewhere years ago that birdsong is really just a way for the bird to say, "bird here!" and all the music is just lagniappe, which can be extrapolated in humans to "Mozart here!" or "Leadbelly here!" or "Britney Spears here!" This doesn't have much to do with Twitter, but it is a little depressing.
Thursday, April 16, 2009
Cul de Sac on YouTube, For Real This Time, No Kidding
Thanks to the fine folks at Ringtales and the geniuses at Jantze Studios, featuring the voice of the awesome and adorable Colette Jantze.
Talking Stick.
Fontanelle.
Badgers.
Wednesday, April 15, 2009
Advertisement
For all of you who asked for it (and I mean both of you), Uh-Oh Baby T-shirts in the above style are now available in the Uh-Oh Baby store (entrance on your right). They come in various sizes, including baby and toddler. I'm of the opinion that a baby's first word should be "uh-oh", just so he or she learns early how quickly things can go south.
Sunday, April 12, 2009
Saturday, April 11, 2009
Thursday, April 9, 2009
Monday, April 6, 2009
Scusi prego il mio italiano dei poveri
A tutti gli miei amici nella speranza dell'Italia- I siete bene. Ciao.
Thursday, April 2, 2009
Wednesday, April 1, 2009
April Fools!
Kathie Kerr, the gracious human whirlwind at Universal Press, sent out this photo of the just-installed sign at the new Andrews & McMeal headquarters in Kansas City. Evidently my syndicate is now in the fast food business, which, given the state of the economy, is probably wise.
Saturday, March 28, 2009
Today's Cul de Sac
This Sunday strip started out as a daily, but a sudden late-developing seismic shift turned it into Sunday, BOOM, just like that. I think it turned out OK, what with the looming Alice, but I wish I'd had time to rejigger the panels some more so the third panel was the only large one. I don't do enough panel jiggering, or fool around enough with panel shape and size and order, mostly because I'm easily confused by things like that and I don't want to drag my readers down with me. Also because the jokes in CdS, such as they are, are scattered around the strip so haphazardly that if a reader gets lost amongst the panels he or she might circle for days looking for a punchline.
And here's a bonus mystery panel from the coming Tuesday's strip, just to make things more interesting.
Thursday, March 26, 2009
Where I'm Going Tomorrow
My friend David Hagen, the only man I know who's met Hillary Clinton and Mr. T, has a show of his paintings up at the Century 21 Exhibit Space at 1711 Wilson Blvd in Arlington. And tomorrow there's a reception from 6 to 9! Will Hillary and Mr. T attend? Who cares? David'll be there and that's enough for me!
Cartherding
About five years ago I was in the parking lot of a big box store, probably Costco, and I saw the most sophisticated form of cartherding on the planet: guy driving a little electric tractor pushes a line of seeming hundreds of grocery carts gracefully across the lot. As he went by, warning lights flashing and horn beeping, everybody in the lot turned to watch, like he was an unexpected parade float. The fact that I remember this is further proof that the dial on my excitement meter only goes up to about five.
Not that Dill's goes any higher.
Monday, March 23, 2009
What I'm Reading
When I should be drawing. I'm poring over Stay Tooned, despite it's distasteful and off-putting cover (John! I'm kidding! aha-ha-ha!). It's been said that Stay Tooned is edited and published by John Read with the combined energy, charm and talent of ten men, plus two. And it's true! In this issue, I especially enjoyed meeting up again with RJ Matson, who I knew when he was living in DC in the 80s, reading Tom Richmond's excellent advice on drawing, and Benita Epstein's chicken cartoon, which makes me laugh every time I think of it. And I enjoyed everything else, once I got past that cover (and skipped pages 70 to 78; sheer boilerplate*).
I've reread the Stephan Pastis interview by Tom Heintjes six times at least. It's funny, passionate, misanthropic, inspiring and even thrilling. Makes me want to quit my job and be a syndicated cartoonist. And there are at least 800 articles I haven't even gotten to yet. I shouldn't waste so much time drawing so I can catch up on my reading. I'm still only on page 85 of Great Expectations, and I bought the book a year ago next week.
*John! I'm still kidding!
Sunday, March 22, 2009
Dill
With the kind assistance of John Heltman, Dill now has his own Facebook page. Which is more than I ever expected for him (Dill, not John).
And Cul de Sac is on Facebook too! Who knew?
Also I'd forgotten this; Dill's last name is Wedekind, which seems like a really cheap joke. But I can't speak for his parents' sense of humor.
Friday, March 20, 2009
Thursday, March 19, 2009
Tuesday, March 17, 2009
St. Patrick's Day SpecPatular, Again
I posted this last year too. Lazy, lazy. But wouldn't this make a fine novelty placemat for your Irish pub?
And here, I'll make this educational, if only tangentially.
In 1963, General Mills vice president John Holahan inventively discovered that Circus Peanuts shavings yielded a tasty enhancement to his breakfast cereal. General Mills formalized the innovation and created Lucky Charms, the first breakfast cereal to contain marshmallow bits (or "marbits"). -Wikipedia
Sunday, March 15, 2009
Urquhart
"Otterloop" sounds like it's Dutch, probably, but "Urquhart" I know is Scottish. And it's as much fun to type as it is to say ("Urkut"). It's a mild reference to my favorite movie, Local Hero, and its multitasking hotelier Gordon Urquhart, and also to my own Scottish heritage. Thompson is a sept of the Clan MacTavish, but I've also got Malcolm (and Whitt and Church and Scattergood and other English names) in my familly.
It tickles me to suppose that there was some likelihood of a hyphenated name in the Otterloop household, until they said it out loud and thought better of it. But Madeline Urquhart Otterloop could console herself with the knowledge that one of the coolest castles in Scotland is Urquhart Castle. below, and that it sits on the banks of Loch Ness.
Wednesday, March 11, 2009
Rough Week
Here's an exclusive first look at a future week of Cul de Sacs in early rough form. Uh-oh, spoiler alert! You can see I'm firing on all eight cylinders with this sequence, and the three Sunday roughs on the right are obviously instant classics. Even the last one, which I can't decipher (I think it says "Farley undied").
Actually, no, I dropped the fourth and fifth strips, labeled "closet", because they're pretty obviously not funny, and substituted two called "cart". So I'm only firing on about six cylinders. But this is what my initial rough for a week looks like, when I tally up the loose ideas stirring around in my head to see if there are enough to fill a week, or even two.
There's a kind of raw power and beauty to this stage of the process, I think, and it's lost when the extraneous elements are added. You know, the lettering, the drawing, the squared boxes, the point, all the things that editors deem as necessary for a comic strip and that clutter up my time. In the future this will all be so much easier, when they develop that Wacom tablet that you'll wear like a hat, with its instant imaging cranial interface that'll further undermine the existence of print, or paper, or pen & ink, or any kind of instrumentality at all. Then we'll be like the Krell in Forbidden Planet. If "Monsters from the Id" wasn't too close to the title of an existing comic strip I'd go ahead and copyright it right now.
Monday, March 9, 2009
Bugs
Kim Jong il, Bobblehead
Back when the Almanac was printed wider, and sometimes even in color, I did a few cut-out bobbleheads of newsworthy individuals. And who's more newsworthy than weirdly foreshortened megalomaniac Kim Jong Il? Actually I'm just posting this as a consolation toy for all of you who didn't want to cough up $48 for a tiny rubber Raymond Scott.
Sunday, March 8, 2009
Art
I swiped a bit of dialog for today's Cul de Sac (above) from an illustration I dId for Why Things Are at least 14 years ago (below). The small girl in the illustration, who's something of a proto-Alice, is my then-expected older daughter Emma, who turned out to look only slightly like that. What I like best is the drawing Emma's done. I wish I could draw like that all the time. It's probably dangerous to think you're drawing with childlike innocence and immediacy; dangerous only in that you're just kidding yourself. Adult perspective is not so lightly overthrown. But maybe if you think of it as post-expressionism it's okay, and by you of course I mean me. Wouldn't it be fun to draw the whole strip in this style? And by fun I mean for me. Probably less so for you, or for the people who complain about stylistic changes in comic strips.
And, seriously, that's a little better than most four year olds draw, if I do say so myself.
Labels:
fine art,
stupid baby carrots,
stupid naps
Saturday, March 7, 2009
Raymond Scott, Bath Toy
In honor of the centennial of the birth of musical mad scientist Raymond Scott, the toy company Presspop has produced an action figure of the poor unsuspecting man. It's terrifyingly realistic, and includes a CD, a clavivox and a pointing finger to play the clavivox with.
You know Scott's music whether you know it or not. Likely it's permeated your consciousness through its use in old Warner Brother's cartoons via Carl Stalling. And there are a dozen or more CDs of Scott's music, some performed by him and his quintette, others by bands like the Beau Hunks. Scott himself made an appearance in Michael Chabon's Adventures of Kavalier & Clay, at a party where Salvador Dali wore a deep sea diving suit. And now you can have your very own six inch tall Raymond Scott to fill that Raymond Scott-size space on your shelf.
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