today's Cul de Sac, October 3 2010

Petey hasn't tried to chew his arm off in way too long. Somebody's got to pick up the slack.

Once again things end up in Petey's room. I must be getting lazy. The real lazy part of this is that I did one rough for the five sofa panels and just varied the poses. Which is also the part of the strip I'm happiest with, the small gestures, body language and minimalist acting that gives intensity to Alice's building frustration. And makes it funnier, I hope. The dialog is pretty much a transcription of a conversation I have about three times a week, and with about as much resolution.

Today's Cul de Sac, October 2 2010

And here's the wrap up to the great bug excursion. Petey's room is a good place to end things, I don't know if it's the dead-end quality of Petey's preferred lifestyle or that Petey just presents a good sounding board for Alice's rants. It's probably just that I like to draw Petey in his black shirt on that plaid bedspread. And I like to letter Petey's sardonic advice that always goes unheard.

120 Years Ago Today

October 2nd is the birthday of Groucho Marx, born Julius Henry Marx in 1890. In celebration, I propose a national Walk Like Groucho Day, to be held on this date annually. Everybody walks like Groucho, or we line 'em up against the wall and Pop goes the weasel!

How do you walk like Groucho? You just squat and scuttle, taking long strides, not as extreme as a duck-walk and not as athletic as a Silly Walk. If you can wear a tail coat that flaps behind you so much the better. I've included this chart which illustrates Newton's 2nd Law of Motion (Force = Mass x acceleration), and shows ground reaction forces measured in various strides and different types of footwear. Please note the looping blue line labeled "Groucho". I'm sure this'll help you a whole lot. The chart was taken from Dr. Chris Kirtley's site Clinical Gait Analysis http://www.univie.ac.at/cga/. (You can't propose a day of national celebration without some kind of scientific & academic support.)

Old Stuff by Request

This is the Cul de Sac that ran in the Washington Post Magazine on September 2, 2007, the second to last one I did for the Post before syndication. I'm posting it at the request of Haywood Wigglesworth, who sent a kind email saying that this one was a family favorite and hoping that it'd show up in one of the future collections. Unfortunately, it likely won't be included as it's a pretty DC-centric strip and those will either not be reprinted or will be saved for the special 50 year all-inclusive reprintatathalon that might already be available for pre-order on some parallel world Amazon. So I hope this will do till then.

For those not living in the DC area, Theodore Roosevelt Island is an island in the Potomac that's both a wilderness preserve and a memorial to Teddy R., with a 17 foot statue of the man himself waving at you as if to say, "Get off my island!"

Today's Cul de Sac, October 1 2010

Uh huh, a shaggy bug crossing the street story. 

More TK. And if you have trouble reading this please let me know

Formatting Foul Ups

Will anyone who has trouble reading any of the preceding Today's Cul de Sac posts because the text looks screwy please either email me or leave a comment. I fooled around with the last one and hope I've fixed it, but I can't tell as it's always looked fine in my browser (Viewmaster), (no, sorry, Safari).

Thank you, and my apologies for the inconvenience.

Today's Cul de Sac, September 30 2010

I hope everyone is braced for this to devolve into a shaggy bug story, because that possibility is sure looming large. More TK.

Today's Cul de Sac, September 29 2010

This whole week is really an exercise in drawing Dill in the same pose (or almost the same pose; he is crawling pretty vigorously). You'll note Dill's small flash of semi-sarcasm in the last panel, likely brought on by the momentary insight into social behavior that following a bug for three days can inspire.

Today's Cul de Sac, September 28 2010

Ah, the tension builds.

A note: for those of you hoping Dill's bug turns out to be a bed bug or stink bug, all I can say is Probably Not. We don't deal in possibly controversial subjects torn from today's headlines, thank you very much. We'll leave that to Hi & Lois. Actually, the sudden newsworthiness of bugs hadn't struck me until I read this strip today and I kicked myself for not jumping on that whole bed and/or stink bug bandwagon, just as a public service of course.

Today's Cul de Sac, September 27 2010

Thus we begin an epic chase that will lead to a conclusion so staggering you'll wonder how your threshold for amazement got so low.

Today's Cul de Sac, September 26 2010

This is a subject I've been meaning to address for some time- the grocery store gumball machine array. Again, I thought it'd be fun to draw the ranks of gumball machines (and I wish I'd've overdone it a little more in the second panel) but also because those things can loom large in a child's mind. I remember trips to the grocery store when I was a kid where all the grocery shopping was just an irritating prelude to the moment when I got to put a nickel or a dime in a gumball machine. Though not really a gumball machine, as I was more often after some plastic novelty army man or gewgaw. And, of course, I was usually disappointed. 

Today's Cul de Sac, September 25 2010 and Yesterday's Cul de Sac, September 24 2010

Minivans are not as fun to draw as cars. On various questionnaires I've seen, when cartoonists are asked what they most dislike to draw, the answer is often "cars", which I have to disagree with; I kind of enjoy drawing them up to a point. But minivans are too bland and amorphous in shape, just kind of rounded rhomboids with wheels. (The other subjects often cited as no fun to draw are "crowds", "machinery" and "horses' back legs" and I'll agree with all of those.)

On the other hand, it'd be fun to draw the strip in a Petey's Diorama style, and I might give that a shot. What would an autobio comic from Petey look like anyway?

A poster on GoComics asked where Petey gets all the shoeboxes for his dioramas. Strangely enough I had a small subplot about Grandma unloading a pile of shoeboxes on Mrs. Otterloop, enough to fill the back of the van, but I dropped it. Maybe I shouldn't've as it made for a nice bit of elaboration. God knows where Grandma got all the boxes; from a lifetime of buying shoes, I guess. And of course, she's a hoarder.

Thank You, Los Angeles Times!

For all those nice things you (specifically Charles Solomon) said about the Golden Treasury!

Wouldn't it be really nice if the Los Angeles Times ran Cul de Sac in the actual newspaper?

Today's Cul de Sac, September 23 2010 and Yesterday's Cul de Sac, September 22 2010

These two strips belong together so I thought I'd post them together, and also I didn't get around to posting yesterday. The whole point of Big Shirley is to be large and implacably unthreatening. She's hard to draw too, as she keeps turning into a cat or a pig or a hedgehog if I get too enthusiastic with the pen. 

And please note that I drew her twice; no photoshopping a panel in from a previous strip. That's something I'd never do unless it was really, really convenient. Although I did have trouble drawing that first Big Shirley. I put her in deep shade and the whole panel became an amorphous blob of crosshatching. 

The lesson here is: next time Grandma gets a canary.

Today's Cul de Sac, September 21 2010

I kept monkeying with this trying to make it funnier. The dialog got shifted from panel to panel and simplified so that it would read as a joke-like artifact, if not an actual joke. That's one problem with doing a strip where the actual jokes are hard to identify; humor is so ineffable that I don't know when it's been reached and I keep monkeying with it. I do know that mayonnaise is funny, so a lot of it's even funnier (Titanic Mayonnaise- Haw!). And I know that "ineffable" sounds like a borderline expletive, so I'll try to slip it into a future strip with Ernesto in it.

Since that paragraph was thin and unproductive, here's an except from an upcoming Cul de Sac, where I sell out with some product placement.

Today's Cul de Sac, September 20 2010

As I was saying, Grandma is pretty much Alice all grown up and then some. Below is her first appearance, in a Post Magazine Cul de Sac from November 20, 2005, exactly four years and ten months ago. Anyone who's read the strip around Thanksgiving will recognize the various situations set forth as I've cannibalized them enough times to feed a couple dozen cannibals, if they ate comic strip gags. Wait, what?

I'll admit that Grandma is physically based on my own Grandma, though mine was much more lovable and fond of staying up all night reading, playing with her two large dogs and at least once making a large tray of deviled eggs. Which she did not then throw at traffic.

Today's Cul de Sac, From September 13 To 18, 2010

Here's another lightning round sprint through the week that was in Cul de Sac.

When I was a kid we had a couple of the Time-Life nature books, Evolution and The Mammals, and one of them had a photo of a pangolin that always stuck with me for no good reason. Pangolins are poorly represented in popular culture, which is unusual as nature is so limited and popular culture is so all-encompassing. So, needing a new animal for Alice's favorite-of-the-moment, I grabbed a pangolin.

This is all true, really.

So is this. Go outside and try it.

Alice and her Grandma have long had issues, probably because they're so much alike.

I like yards with knicknacks and ornaments, especially in a neighborhood where they don't fit in. To show rather than tell, here's a panel from an upcoming Sunday strip-

Today's Cul de Sac, From September 7 To 11, 2010

Here's a quick tour of Your Week Before Last in Cul de Sac:

The usual complement of puppet theater puppets seems fairly standardized. You get your king, queen, wizard, maybe a lion or witch or a clown. Which seems kind of limiting to the modern youth of today.

Another cheap jibe at clowns, who exist only to make us happy and not to give us the creeps.

I have, of course, extensive plans for Mr. Headfinger in future Cul de Sacs, most of them rather gruesome.

This is the Friday strip, which is by the vague rules governing daily comic strip arcs the point at which the plot reaches its peak of tension, assuming that nobody reads newspapers on Saturday. 

Which is a shame, as no one got to see this act of fickleness and betrayal. But, hey! Pangolins! All right!

Today's Actual Cul de Sac September 19 2010

At last, a post that's about a strip that's actually the strip in today's newspaper (where available)! And that's the problem; I hadn't realized when I drew this (at a table at the beach) that it would run on the annually tiresome Talk Like a Pirate Day. Arrrrgh! So it's an unintentional tie-in, which throws the randomness of Dill's dream a little off. I just meant to make it silly and fun to draw, the latter of special importance because I didn't have my lightbox crutch to lean on. Really,  you get so used to using a particular set of tools that it's almost paralyzing when you have to rough it a little bit. 

Dill's dreams have been featured a few times, usually in a Sunday strip where there's more elbow room for his unconscious.  Here's one from a year or so ago, and it's more of a nightmare.

Coming up- we try to bring ourselves up-to-date with the daily strips.

Today's Cul de Sac, No, Sorry! This One's from September 12 2010

Somebody has some catching up to do, and as usual it's me. But seriously, what more need be said about Ernesto? Except that he may possibly exist in a parallel dimension that he may some day rule, and not exactly as a  philosopher king. Ernesto Lacuna is the closest I've come to one of those Marvel multiverse things that allows an author to devise plots at will, no matter how silly or untethered, without consequence. From what I've read about Stephen Hawking's new book on the way the universe basically works, this is the way the universe works, so anything goes.

Next- all those missed days from last week. But not consecutively because I'm not into that whole linear thing any more.