The blog of Richard Thompson, caricaturist, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year.
Saturday, July 4, 2009
Fireworks
Wednesday, June 24, 2009
Talking Out Loud at the Library
Here's where I'll be next Monday, and please come join me. Besides me yammering, there'll be a bake sale, balloon rides, a Dewey Decimation Librarian Smackdown and the annual Reference Desk Scavenger Hunt (details sketchy). I've already asked both of you who said you'd be there (Hi, Anita!) to bring bulky items of clothing to strew around on the seats to make them look more populated, and if the rest of you could do the same I'd really appreciate it.
There'll be a book signing to follow, courtesy of Barnes & Noble. If you have a recently checked out item from the library you'd like signed or otherwise defaced, please present it then.
Tuesday, June 23, 2009
By Request
Wednesday, June 17, 2009
Coming in September
Sunday, June 7, 2009
Saturday, June 6, 2009
Video Funtime with Stephan Pastis and John Glynn
Stephan Pastis, who draws a great comic strip called Pearls Before Swine, visited my syndicate in Kansas City a few months back to shoot a video promo. Which doesn't make much sense as his syndicate is in New York City. To watch him harass John Glynn, who runs my entire syndicate single-handedly with the help of 200 other people, please go here.
Watch for Bill Amend's stomach-churningly violent cameo.
Friday, June 5, 2009
Goodbye, Nickelodeon
Nickelodeon, the great kid's magazine put out to promote the network that also became a welcoming haven for cartoonists, is shutting down. I hope all the staff find good positions elsewhere quickly, especially Chris Duffy and Dave Roman, who art directed the comic section of Nick into such a treat for the eyeballs. Dang it all.
Tuesday, June 2, 2009
Old Almanac
Saturday, May 23, 2009
Lio!
My sincere congratulations to Lio for winning the comic strip division Reuben, with some help from Mark Tatulli. Who now owes me ten bucks.
And congratulations to all the other winners, like Mr. Dave Coverly, who won the big shiny ugly statue. I can only hope he has an appropriately ugly sofa to complement his Reuben.
The Reuben Weekend, Day 2
While other, lazier, cartoonists are lolling around an imaginary city, I'm using my time to work on the cover of the second Cul de Sac collection, a chunk of which is shown above. This kind of work ethic is one of the many benefits of being an anhedonic stick-in-the-mud.
My profound thanks to Jennifer Hart, Arlington, for her kind and thoughtful good luck cartoon-by-mail. It cleared up my anhedonia nicely.
Friday, May 22, 2009
The Reuben Weekend
As you're no doubt aware, this weekend is the 63rd annual convention of the National Cartoonists Society, the highlight of which is the Reuben Awards on Saturday night. This year it's in Los Angeles, specifically in Hollywood, and, though I'm up for a comic strip division award, I'll be missing it this year because I know Los Angeles is imaginary. It's being held in the Los Angeles Renaissance Hotel, part of the Hollywood & Highland Center which is styled after the Babylon set from DW Griffiths' silent classic "Intolerance".
Yikes, what a spread, huh? The entire population of the middle tier is a squadron of dancing bellhops. Those of you with sharp eyes will note Stephan Pastis and Mark Tatulli on the upper balcony defacing a decorative elephant with tasteless cartoons, with John Glynn (in the hat) urging them on. It's all further proof that LA is imaginary.
Above is a photo of an actual Reuben Award, as designed by Rube Goldberg (it looks like it comes with a set of dinner plates, too). Originally it was to be a lamp, but it was converted into a trophy. Kind of a pity because it'd be a great lamp, especially if there was one on either side of a very ugly sofa. I'm not up for one of these, which is also a pity as I own a somewhat ugly sofa. The division awards come in plaque form, and I'm up against Mark Tatulli's Lio and Stephan Pastis' Pearls Before Swine. So really, I don't have a chance. But I do have a certificate.
My friend Mike Lynch, cartoonist extraordinaire and NCS national rep, sent me this. And you'll notice that the space provided for the division has been left blank, which leaves me free to invent my own. I'm thinking "Neatness" or "Choreography". To enter the comic strip divisional award, you're required to submit a dozen samples. Below are a few of the strips I sent.
Though I'm missing the actual event, I intend to cover it extensively and to that end I'll be live blogging it, with constant updates here and on my Twitter feed (which I've barely touched otherwise). And on Facebook, too. I think I can bring a fresh and dispassionate perspective to this Reubens thing from 2,000 miles away.
Yikes, what a spread, huh? The entire population of the middle tier is a squadron of dancing bellhops. Those of you with sharp eyes will note Stephan Pastis and Mark Tatulli on the upper balcony defacing a decorative elephant with tasteless cartoons, with John Glynn (in the hat) urging them on. It's all further proof that LA is imaginary.
Above is a photo of an actual Reuben Award, as designed by Rube Goldberg (it looks like it comes with a set of dinner plates, too). Originally it was to be a lamp, but it was converted into a trophy. Kind of a pity because it'd be a great lamp, especially if there was one on either side of a very ugly sofa. I'm not up for one of these, which is also a pity as I own a somewhat ugly sofa. The division awards come in plaque form, and I'm up against Mark Tatulli's Lio and Stephan Pastis' Pearls Before Swine. So really, I don't have a chance. But I do have a certificate.
My friend Mike Lynch, cartoonist extraordinaire and NCS national rep, sent me this. And you'll notice that the space provided for the division has been left blank, which leaves me free to invent my own. I'm thinking "Neatness" or "Choreography". To enter the comic strip divisional award, you're required to submit a dozen samples. Below are a few of the strips I sent.
Though I'm missing the actual event, I intend to cover it extensively and to that end I'll be live blogging it, with constant updates here and on my Twitter feed (which I've barely touched otherwise). And on Facebook, too. I think I can bring a fresh and dispassionate perspective to this Reubens thing from 2,000 miles away.
Drill
Here's an exclusive first look at an upcoming Sunday strip, featuring a first-ever look at the back of Blisshaven Preschool. Please note the fully-appointed toy shed, as well as the blacktop, which is likely so covered in chalk that the original asphalt doesn't show through. Also visible is the entire student body attempting to escape, who knows why?
Wednesday, May 13, 2009
Pop Pop Synchronicity
I'm pleased and proud that today's Cul de Sac is in pop pop lawnmower synchronicity with today's The Doozies, which is drawn by the redoubtable Tom Gammill. Such cosmic coincidences just confirm my faith in the million monkey approach to writing Shakespeare.
I don't think I had a pop pop lawnmower when I was a kid, but my brother did. Sensibly enough, he called it a bop bop wubong.
Sunday, May 10, 2009
Mother's Day Special
Tuesday, May 5, 2009
A Very Happy Cartoonist Day
You may be wondering, "How can I best celebrate this festive day?" You might consider:
- Finding a cartoonist near you and mowing his lawn, at least the front lawn (especially the hard part with the hill).
- While you're at it trim his shrubs, so the mailman can find his front door again.
- Does his house need vacuuming? Well, what are you waiting for?
- Who left all these dishes in the sink?
- The cats; somebody feed the cats.
- You could take him to lunch at the Mexican place down the street, where they're having some no doubt cartoonist-related celebration.
- For God's sake laugh at his cartoons. If they appear in a newspaper, buy extra copies (or multiple subscriptions, even) and laugh at them too.
Saturday, May 2, 2009
For Free Comic Book Day: Today's Poor Almanack, Plus Some Old Ones
Thursday, April 30, 2009
Three Easy Steps to a Sunday Cartoon
Last Sunday's Cul de Sac made me happy, mostly because it started out as a kinda lame idea but ended up being pretty good. And , look, the colors came out pretty!
Above is the first sketch, where I had a vague idea involving Alice barging into Petey's room and annoying him with chatter. It was boring, so I gave her a puppet, which helped, but it didn't come alive until Beni joined her.
When in doubt for a big finish, introduce Dill. But I didn't know what he'd say until the very last minute. Above is the rough I sent my editor; you can see that I added the final comment outside the box. Then I moved it over to Dill's balloon, et voila.
Above is the first sketch, where I had a vague idea involving Alice barging into Petey's room and annoying him with chatter. It was boring, so I gave her a puppet, which helped, but it didn't come alive until Beni joined her.
When in doubt for a big finish, introduce Dill. But I didn't know what he'd say until the very last minute. Above is the rough I sent my editor; you can see that I added the final comment outside the box. Then I moved it over to Dill's balloon, et voila.
Thursday, April 23, 2009
Shakespeare's Birthday, Again
Tuesday, April 21, 2009
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