The blog of Richard Thompson, caricaturist, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year.
Saturday, August 18, 2012
Thanks
Friday, August 17, 2012
Wash Post Blows the Lid Off Cul de Sac Shocker
Mike Cavna has the story here.
Last night he ambushed me with some gotcha questions-
1. Can you tell me how you came to this decision now? Was there a moment that this choice became clear, or has this been a long and gradual decision -- perhaps one that had a tipping point?
A. I've known for a year or more that I was working on borrowed time. My lettering had begun to wander off in 2009, but that could be fixed easily enough. But when Alice's and Dill's heads began to look under-inflated last winter I figured I was losing control of the drawing too. When I needed help with the inking (the hardest but most satisfying part of drawing the strip),well that was probably a tipping point. Parkinson's disease is horribly selfish and demanding. A daily comic strip is too and I can only deal with one at a time. So it was a long, gradual, sudden decision.
2. Was there one aspect of creating a daily comic strip that made you decide this was too much? Perhaps it was more the drawing, or the writing, and/or the deadlines? And did you consider letting an assistant -- perhaps Stacy -- carry the load for an extended period of time, or not so much?
A. The deadlines would be the obvious answer as I've hated and feared them all my life (true of most cartoonists, I've found). Yeah, I thought about passing along more of the drawing to Stacy. I thought he did a wonderful job inking my roughs. But I was having trouble separating the writing and the drawing. I found that one fed off the other more than I'd realized' that it was an organic process, to use pretentious art talk. Most of the time I'd start a strip with no clear idea where it was going, or There'd be an end without a beginning. And I'd figure it all out as I was inking it, which isn't the best way to work and would've driven a conscientious editor crazy. One reason I hate and fear a deadline is that I can't finish a damn thing without one, and everything is mutable right up till the last minute. And often beyond..
3. How are you feeling these days? And what's next for you -- perhaps short- and medium-range -- in terms of treatment?
A. Well, I need some work. Last winter I took time off for a month of BIG therapy at Bodykinetics Rehab and it was tremendously helpful. Basically it recalibrates your body using big, exaggerated movements and yelling and silly walks. But then I went back to work and slacked off and began to decline physically. This was when it became clear Parkinson's didn't mesh too well with a daily deadline. I got wobblier and had a few falls, and I've pushed the meds as far as they'll go. So the next step is something called Deep Brain Stimulation, where they implant wires in your brain, adjust the current and Boom, you're good to go. It's a process that takes 4 to 6 months and I'm just starting out.
4. Is there an overriding emotion you feel now that you've made this decision? Relief? Sadness? Resigned joy? Deep gratitude?
A. All of those. Relief because I've not lived without a deadline of some kind hanging overhead for almost 30 years. Sadness because there was more I wanted to do with the strip that would only be possible with a daily format. Resigned joy because I don't know, because it sounds good. And deep gratitude because I fell into this dream job at the last possible moment and got to produce work I'll always be proud of and made friends I'll always respect.
5. Will you continue to draw (perhaps with less demanding deadlines) -- maybe freelance, magazine covers, back to drawing cows for the FDA or Milk Advisory Board *smile*?
Or are you hanging up your Hunt #101 Imperial for good?
A. I'm not ready to quit, but I'm sure my work will change. It may look like it was done by Cy Twombly using his sleeve.
6. How do you feel about having had the space and stage and opportunity to draw Cul de Sac for as long as you did -- as well as all the acclaim, respect, fandom (from book sales to the Reuben Award)?
A. Like I said above, I fell into drawing a daily comic strip more by luck than design. And that kind of luck is unimaginable, at least to me. I feel like I've squeezed a lifetime career into way too short a time (though I started working on Cul de Sac almost 10 years ago). It took me forever to figure out the Reuben, because it's one of those "not in my wildest dreams" things. But I finally got it: it's like finding this fabulous object, an artifact of an ancient civilization that's far in advance of our own, and it's crashed in my backyard so I get to keep it.
Mostly, I'm grateful to all who pushed me into this. Starting with Tom Shroder and Gene Weingarten, on through Lee Salem, Rich West, Bill Watterson, Greg Melvin, John Glynn, John McMeel, Pat Oliphant, Amy, Emma & Charlotte Thompson, Mike Rhode, Nick Galifianakis, Chris Sparks, Shena Wolf and ending maybe with Anna Glynn or Emily Sparks. Without them I'd still be doing covers for the Milk Advisory Board. And also my Mom, who told me years ago if I ever did a comic strip it'd be pretty wonderful, but I'd probably drive myself crazy.
7. Any final "Cul de Sac" thoughts or sentiments you'd like to say to your many fans?
A. Don't wander off yet1 There'll be a joke after the credits.
Last night he ambushed me with some gotcha questions-
1. Can you tell me how you came to this decision now? Was there a moment that this choice became clear, or has this been a long and gradual decision -- perhaps one that had a tipping point?
A. I've known for a year or more that I was working on borrowed time. My lettering had begun to wander off in 2009, but that could be fixed easily enough. But when Alice's and Dill's heads began to look under-inflated last winter I figured I was losing control of the drawing too. When I needed help with the inking (the hardest but most satisfying part of drawing the strip),well that was probably a tipping point. Parkinson's disease is horribly selfish and demanding. A daily comic strip is too and I can only deal with one at a time. So it was a long, gradual, sudden decision.
2. Was there one aspect of creating a daily comic strip that made you decide this was too much? Perhaps it was more the drawing, or the writing, and/or the deadlines? And did you consider letting an assistant -- perhaps Stacy -- carry the load for an extended period of time, or not so much?
A. The deadlines would be the obvious answer as I've hated and feared them all my life (true of most cartoonists, I've found). Yeah, I thought about passing along more of the drawing to Stacy. I thought he did a wonderful job inking my roughs. But I was having trouble separating the writing and the drawing. I found that one fed off the other more than I'd realized' that it was an organic process, to use pretentious art talk. Most of the time I'd start a strip with no clear idea where it was going, or There'd be an end without a beginning. And I'd figure it all out as I was inking it, which isn't the best way to work and would've driven a conscientious editor crazy. One reason I hate and fear a deadline is that I can't finish a damn thing without one, and everything is mutable right up till the last minute. And often beyond..
3. How are you feeling these days? And what's next for you -- perhaps short- and medium-range -- in terms of treatment?
A. Well, I need some work. Last winter I took time off for a month of BIG therapy at Bodykinetics Rehab and it was tremendously helpful. Basically it recalibrates your body using big, exaggerated movements and yelling and silly walks. But then I went back to work and slacked off and began to decline physically. This was when it became clear Parkinson's didn't mesh too well with a daily deadline. I got wobblier and had a few falls, and I've pushed the meds as far as they'll go. So the next step is something called Deep Brain Stimulation, where they implant wires in your brain, adjust the current and Boom, you're good to go. It's a process that takes 4 to 6 months and I'm just starting out.
4. Is there an overriding emotion you feel now that you've made this decision? Relief? Sadness? Resigned joy? Deep gratitude?
A. All of those. Relief because I've not lived without a deadline of some kind hanging overhead for almost 30 years. Sadness because there was more I wanted to do with the strip that would only be possible with a daily format. Resigned joy because I don't know, because it sounds good. And deep gratitude because I fell into this dream job at the last possible moment and got to produce work I'll always be proud of and made friends I'll always respect.
5. Will you continue to draw (perhaps with less demanding deadlines) -- maybe freelance, magazine covers, back to drawing cows for the FDA or Milk Advisory Board *smile*?
Or are you hanging up your Hunt #101 Imperial for good?
A. I'm not ready to quit, but I'm sure my work will change. It may look like it was done by Cy Twombly using his sleeve.
6. How do you feel about having had the space and stage and opportunity to draw Cul de Sac for as long as you did -- as well as all the acclaim, respect, fandom (from book sales to the Reuben Award)?
A. Like I said above, I fell into drawing a daily comic strip more by luck than design. And that kind of luck is unimaginable, at least to me. I feel like I've squeezed a lifetime career into way too short a time (though I started working on Cul de Sac almost 10 years ago). It took me forever to figure out the Reuben, because it's one of those "not in my wildest dreams" things. But I finally got it: it's like finding this fabulous object, an artifact of an ancient civilization that's far in advance of our own, and it's crashed in my backyard so I get to keep it.
Mostly, I'm grateful to all who pushed me into this. Starting with Tom Shroder and Gene Weingarten, on through Lee Salem, Rich West, Bill Watterson, Greg Melvin, John Glynn, John McMeel, Pat Oliphant, Amy, Emma & Charlotte Thompson, Mike Rhode, Nick Galifianakis, Chris Sparks, Shena Wolf and ending maybe with Anna Glynn or Emily Sparks. Without them I'd still be doing covers for the Milk Advisory Board. And also my Mom, who told me years ago if I ever did a comic strip it'd be pretty wonderful, but I'd probably drive myself crazy.
7. Any final "Cul de Sac" thoughts or sentiments you'd like to say to your many fans?
A. Don't wander off yet1 There'll be a joke after the credits.
Tuesday, August 7, 2012
Two Ancient Cul de Sacs
From July 2004, when all the animals could talk and I didn't know what I was doing. Snakehead fish were popular that year.
Wednesday, July 11, 2012
Tonight!
Chris Sparks, Steven Artley, Michael Auger, Carolyn Belefski, Michael Cavna, Danielle Corsetto, Barbara Dale, Peter Dunlap-Shohl, Nick Galiļ¬anakis, Shannon Gallant, Kerry G. Johnson, Jamie King, Donna Lewis, Annie Lunsford, Bono Mitchell, Joe Sutliff, Matt Wuerker and I will be signing the Team Cul de Sac book tonight at 7:00 at Politics & Prose. Lines formed at 5 this morning.
Monday, July 9, 2012
Wednesday Night!
Politics & Prose, DC's happeningest bookstore, will host a Team Cul de Sac group book signathon on Wednesday, July 11 at 7:00. I'll have a full list of cartoonists who're attending. Please come help make the audience more numerous than the cartoonists. Politics & Prose is conveniently located at 5015 Connecticut Ave NW, Washington DC.
Wednesday, July 4, 2012
Monday, July 2, 2012
More Restaurant Closings
After three sweltering days without power I feel like closing some restaurants. Especially since the power came back on but the air conditioner didn't.
Note: the joke about the Starbucks-inside-a-Starbucks also appeared in the Onion about a year after I did this. Not that there's a chance in hell that the Onion swiped it from me. Some jokes are inevitable. But I got there first!
Note: the joke about the Starbucks-inside-a-Starbucks also appeared in the Onion about a year after I did this. Not that there's a chance in hell that the Onion swiped it from me. Some jokes are inevitable. But I got there first!
Wednesday, June 27, 2012
I Want to Join The Onion A.V. Club
Wednesday, June 20, 2012
Heroescon 2012
This weekend in Charlotte NC things get lively! Heroescon appears in the subterranean halls of the Charlotte Convention Center like a gaudy 3-day annual bloom. And, dammit, I'm not going!But I've got friends who are, and some of them are getting together in Room 206 on Friday at 4 for this-
If you're at Heroescon please stop by and have a seat!
And while you're in Charlotte would you please stop by Mert's Heart & Soul and bring me a plate of shrimp and grits?
If you're at Heroescon please stop by and have a seat!
And while you're in Charlotte would you please stop by Mert's Heart & Soul and bring me a plate of shrimp and grits?
Tuesday, June 19, 2012
June 19th
If anybody sees Mr. Chris Sparks of Asheville, North Carolina today wish him a happy 42nd birthday for me, would you?
Wednesday, June 13, 2012
Launching a Book
Sunday, June 10, 2012
Tonight at One More Page
Sunday, June 10, from 5 - 7 pm: Fundraiser celebration to launch the Team Cul de Sac: Cartoonists Draw the Line at Parkinson's. Several of the contributors live here in the DC area and will be on hand to sign copies. Join us for wine and light snacks to celebrate the launch of the book! A portion of the day's sales will go to Team Cul de Sac. Click here to see which cartoonists you might run into. Whew!!! Don't miss this great event! One More Page is located at 2200 N. Westmoreland Street, #101,
in Arlington VA, phone 703-300-9746, just a few blocks west of the Lee
Highway exit off Route 66.
Friday, June 8, 2012
Team Cul de Sac Auction - The Last Two Days
Here we have a two-fer: brilliant cartoonist, cartoonist, cartoonist, critic and writer Shaenon K. Garrity and her husband the accomplished curator, cartoonist and author Andrew Farago offer insights into Ernesto Lacuna. Look at the detailing and insight on this baby! It can be yours for a little more than $55! See here.
Team Cul de Sac Auction - The Last Two Days
Over the next two days I'm going to post some random selections from the auction just to gin up sales.
First up: the unique and ingenious R. SIKORYAK paints an Otterloopian parody of Picasso's the Three Musicians. Currently a mere $90! Chicken feed to a person such as yourself! Go here.
First up: the unique and ingenious R. SIKORYAK paints an Otterloopian parody of Picasso's the Three Musicians. Currently a mere $90! Chicken feed to a person such as yourself! Go here.
Thursday, June 7, 2012
Monday, June 4, 2012
A Not-So-Gentle Reminder
Tomorrow, June 5, marks the launch of Team Cul de Sac: Cartoonists Draw the Line at Parkinson's, Chris Sparks' magnum opus and labor of love, and if I didn't know Chris I would imagine he's exhausted. Actually he may be but who can tell? Being exhausted just seems to fire him up.
Today Chris passed along Michael J Fox's reaction to the book:
“Richard Thompson is lucky to have a friend like Chris Sparks. With this amazing collection, Chris is raising significant dollars and awareness for Parkinson’s — while proving comedy can help speed a cure. We’re grateful to have both Chris and Richard on our team.” – Michael J. Fox.Couldn't have said it better myself!
And Hey! There's an auction going on!
Sunday, June 3, 2012
A Gentle Reminder
Today's Cul de Sac June 3, 2012
The banana smell must come from isoamyl-acetate, which I don't know much about it except it's nasty and it's in the spray fixative I used for years (Krylon). And it's also called banana oil, which I always thought was a Milt Gross joke.
Saturday, June 2, 2012
Yet More Restaurant Closings
The theme here is: buildings are fun to draw. That's also the theme for Sunday's strip. And by "theme" I mean "excuse".
Friday, June 1, 2012
Exclusive Preview!
This is from Sunday's strip (I think it is, I get sloppy with dating things) and you get to see it first! What can it mean? Who can tell? It better be funny, that's all I'm sayin'.
Sunday, May 27, 2012
MJFox Signed Book!
The star of Back to the Future and The Frighteners demonstrates superior penmanship in this signed copy of Team Cul de Sac and it can be yours!
Saturday, May 26, 2012
Today's Cul de Sac, May 26, 2012
I've wanted to use this gag for a while and couldn't figure out how to present it. I'd planned it to be a Sunday strip and that's why I was having trouble. A Sunday page provides a bit more room to play with the layout and sometimes that's more of a distraction than an opportunity. In other words, I monkeyed around with the format so much the gag got lost, and it's a weird little gag. So it got moved to a daily which simplified it into coherency. The lesson we all learn from this is: Stop monkeying around when you don't have to. Life's hard enough as it is.
Friday, May 25, 2012
More Restaurant Closings
Jut when you thought it was safe to grab a bite. This one was probably the first one I did despite what I said before. I gotta start dating things.
Two Days!
In two days The Team Cul de Sac auction of original art begins! That's on Sunday, My 27th at Heritage Auctions. That's in two days!
Thursday, May 24, 2012
Alan Gardner, Man of Taste
The first review is in, and it's by Alan Gardner, the hardest-working underpaid blogger in daily cartoonland. Go to the Daily Cartoonist for his thoughts on the book. And leave a nice comment, and/or some blog-support money.
Caricature by Mark Pett, who's up for a Reuben divisional award for illustrating The Girl Who Never Made Mistakes, and a swell guy.
The Observer-Reporter Comes Through
Yesterday the Observer-Reporter, newspaper of record for Washington and Greene Counties in Pennsylvania, ran an editorial headlined Drawing on Humor to Combat Disease. The O-R carries Cul de Sac and came out four-square behind Team Cul de Sac, for which I'm hugely grateful (they should've mentioned Chris Sparks, who's out in Vegas representing the Team at the Reubens). And, hey, wouldn't now be a great time for some other newspapers of record to do likewise?
Friday, May 18, 2012
Report from Chris Sparks
Human fireball and Sparking Design co-CEO Chris Sparks reports-
Team Cul de Sac books have been ordered to fill our online orders and all the prepaid shipping envelopes have been ordered. I just need to the books and time. Remember, you can still order your signed copy at http://sparkingdesign.com/order-team-cul-de-sac-book/
Team Cul de Sac books have been ordered to fill our online orders and all the prepaid shipping envelopes have been ordered. I just need to the books and time. Remember, you can still order your signed copy at http://sparkingdesign.com/order-team-cul-de-sac-book/
Shipping should start around the beginning of June!
That's practically tomorrow! So hurry!
CSOTD
I'm always glad when Cul de Sac makes Mike Peterson's Comic Strip of the Day. Mike is not only a newspaper man and comics lover of many years, he's also a former member of an Irish band. And he's a wise man (I don't think anyone else has name-checked Alice Roosevelt in reference to Alice Otterloop: Alice R gave me one more reason to choose the name for the O version- she was from DC and she was a hellion. Though you wouldn't know it from the above photo.)
Thursday, May 17, 2012
Team Cul de Sac Book Iaunch
This is lifted from the Team Cul de Sac blog.
One More Page Books is close to my house and I hope to make it. Other local cartoonists in the book will certainly be there. My deepest thanks to Terry Nebecker and Eileen McGervey.
One More Page Books is close to my house and I hope to make it. Other local cartoonists in the book will certainly be there. My deepest thanks to Terry Nebecker and Eileen McGervey.
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One More Page | 2200 N. Westmoreland Street | #101 | Arlington | VA | 22213
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Tuesday, May 15, 2012
Visit to Tai Shan
This ran in the Post Magazine in January 2006 when Tai Shan mania gripped DC in a relentless hug. I'd developed an antipathy to pandas for no good reason and about the time the National Zoo was paying the Chinese through the nose to rent a coupla pandas I did a poem in the Almanac trash talking the lumbering brutes. I can't find that drawing, but part of it went "Pandas are boring, tedious and blah, Great big two-tone fuzzy cures for insomnia." It didn't do any good: the Zoo is at it again.
Monday, May 14, 2012
Farewell to Maurice Sendak
Peter Dunlap-Shohl drew this wonderful piece on the death of Maurice Sendak last week, ingeniously mashing up the Seventh Seal and the Wild Things. I especially like the casually tossed-away cane at far left. I was going to link to a documentary by director Spike Jonez where he visits Sendak at his home but it's been taken off the web. I will link to a great tribute by Philip Nel at the Comics Journal. Phil's been working on a massive biography of Ruth Kraus and Crockett Johnson and he knows his children's literature.
Saturday, May 12, 2012
Two Brand New Old Cul de Sacs
Both of which have something to do with motherhood.
The above is from May 16, 2004. I didn't like Madeline's job that much. It seemed too sitcommy.
Marcus has always had a difficult relationship with his mom. This appeared August 19, 2005.
Marcus has always had a difficult relationship with his mom. This appeared August 19, 2005.
Thursday, May 10, 2012
Savings Galore
Monday, May 7, 2012
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