

Two cartoons from years past, reposted because some things never change.










In 1963, General Mills vice president John Holahan inventively discovered that Circus Peanuts shavings yielded a tasty enhancement to his breakfast cereal. General Mills formalized the innovation and created Lucky Charms, the first breakfast cereal to contain marshmallow bits (or "marbits"). -Wikipedia
"Otterloop" sounds like it's Dutch, probably, but "Urquhart" I know is Scottish. And it's as much fun to type as it is to say ("Urkut"). It's a mild reference to my favorite movie, Local Hero, and its multitasking hotelier Gordon Urquhart, and also to my own Scottish heritage. Thompson is a sept of the Clan MacTavish, but I've also got Malcolm (and Whitt and Church and Scattergood and other English names) in my familly.
Back when the Almanac was printed wider, and sometimes even in color, I did a few cut-out bobbleheads of newsworthy individuals. And who's more newsworthy than weirdly foreshortened megalomaniac Kim Jong Il? Actually I'm just posting this as a consolation toy for all of you who didn't want to cough up $48 for a tiny rubber Raymond Scott.
I swiped a bit of dialog for today's Cul de Sac (above) from an illustration I dId for Why Things Are at least 14 years ago (below). The small girl in the illustration, who's something of a proto-Alice, is my then-expected older daughter Emma, who turned out to look only slightly like that. What I like best is the drawing Emma's done. I wish I could draw like that all the time. It's probably dangerous to think you're drawing with childlike innocence and immediacy; dangerous only in that you're just kidding yourself. Adult perspective is not so lightly overthrown. But maybe if you think of it as post-expressionism it's okay, and by you of course I mean me. Wouldn't it be fun to draw the whole strip in this style? And by fun I mean for me. Probably less so for you, or for the people who complain about stylistic changes in comic strips..jpg)






I did this in March '04. It kinda wrote itself, and seemed to make sense. In some interview years ago Maurice Sendak said that in Dickens' books everything is alive; the chair is alive and the table is alive and the fire in the grate is alive, etc. This takes that idea to ridiculous extremes, I hope.
So a coupla years later I did another fridge cartoon. It got a little convoluted, though I like the final balloon. And I like the implication that the photograph is several rungs above the comic strip on the social ladder, and that the comic strip is a little wiseguy in a derby. I'd planned on doing some more chatty fridge-clutter cartoons; they're like those old animated cartoons from the 30s where all the books on the shelves would open up and the characters would spill out and do funny stuff. But they're hard to draw and to think up and I'm lazy. For some reason I have no trouble drawing most of your major appliances. Stoves, washers and dryers present no difficulties. But refrigerators defeat me.