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No offense, Fennel.
I can't share this comic without sharing the original art I'd regret losing. My beloved Richard Thompson originals (forgive the reflections):
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No offense, Fennel.
I can't share this comic without sharing the original art I'd regret losing. My beloved Richard Thompson originals (forgive the reflections):
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from his Dispatches from NancyFest 2024 on Substack, and reprinted with his permission. Subscribe here - https://www.newyorkcartoons.com/
When I was here 6 months ago for Cartoon Crossroads Columbus —my first as a guest presenter— I got to see an extra special selection of art by my favourite cartoonist, Richard Thompson. Jenny had pulled them out, especially for me ahead of time.
When I eyeballed Richard's original art for the first time I thought I was having heart palpitations. I pored over the Cul De Sac strips with a magnifying glass, forensically studying his line like Sherlock Holmes trying to solve A Scandal in Bohemia. I can't quite describe how important it is for artists (especially younger artists) to see original art, up close: white-outs, pencil marks and all. I never attended art school, but I've learned more from mushing my eyeball against great art than from any drawing class I've ever tried.