I don't sketch much in public and although I've got like a dozen little Moleskin sketchbooks they're mostly full of phone numbers and lists of things. But I figured, here I am being a cartoon journalist, like Steve Brodner or Feliks Topolski, and I'd better for godsake draw something. So I drew the guy sitting in front of me, who had his feet propped up and a newspaper open. On the newspaper page was a photo of a green lizard with a bright pink tongue.
Presently an attractive blonde woman came out from backstage and began answering questions to an invisible audience. It was Dana Perino doing an interview with no one I could see, but she smiled and gestured and repeated certain lines often enough I understood them to be talking points. I think the questions had to do with the Iraq war, because most of the answers did. Nobody corporeal paid any attention to her. She finished, smiled and left.
There were a few big happy guys laden with cameras on my right, leaning on the wall between the arched windows and laughing about something.
The combination of tedium and tension was slightly nerve-wracking, and the thought of the two turkeys pent up in a pickup truck somewhere on the White House grounds awaiting their fate (what if the Pardon doesn't come through?) made me kind of hungry.
More TK.
3 comments:
Ah, a cliffhanger!
Those sketches are rad, man! Seriously, though. Do you find it difficult to draw people without having them notice you? I try to do that in airports but I always feel a little creepy for staring.
I love more to come !
Can't wait till the next installment
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