WE GOT YOUR SIGNED COPIES OF THE COMPLETE CUL DE SAC RIGHT HERE, next to these signed copies of the art of richard thompson!
Richard Thompson, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year, has graciously offered to sign copies of this beautiful boxed set when you place your order through One More Page. Because cartoonists, like banjo players, are lovable but unpredictable, we can't guarantee a delivery time. We thank you in advance for your support, and your patience. Click here to order or call us at 703-300-9746. And why not take this opportunity to putchase a signed copy of Richard's Poor Almanac?
Saturday, December 31, 2011
When I was a kid we'd watch Guy Lombardo and his Royal Canadians ring in the New Year, brought to us in living black & white from the Waldorf Astoria. The highlight was catching sight of a drunken middle aged reveler dancing on a table top, crazed by all that sweet jazz. To my mind this is what sophisticated adults did. Not my parents, who were perfectly content to stay at home and laugh at the silly party hats and drunken antics of the swells. But we knew how to have a good time: at midnight we'd step out the front door and bang pot lids together and ring a little bell and yell Happy New Year, often enough to a dark and silent neighborhood.
We still do it, but now there are so many fireworks and such going off our racket just blends into the general din. The above Cul de Sac is from 2006 (?). Note that Petey's got a trombone, which turned into an oboe soon as I realized how hard a trombone is to draw.
Tuesday, December 27, 2011
Really though, this post is a little self-serving: preaching to the choir and making fun of unadventurous Fred-Basset-loving fuddy-duddies who only ask for a pleasant chuckle and don't need some yacky kid strip foisted on them. So let's just say I'm happy and proud to that my strip is available to actual newspaper subscribers in Bakersfield CA! And I'm very happy to say that CdS just started in the Oakland Tribune. From what I hear the strip was picked up because an editor and his kids saw it online and liked it. That's the best I can ask for and an unheard-of way to get into a paper. So I'm damn grateful and I wish I'd quit grousing.
My friend Mike Rhode tells me the Sunday CdS is starting in the Morning Call of Allentown PA, where it replaces Fred Basset, of course. In the comments on this post, David W outlines Fred Basset's sordid history; how it was put into a decade of reruns after the creator's death and, worse, how it's been drawn by an anonymous and uncredited artist for the past 11 years. There's even this. So I'm suddenly a liitle less sympathetic to unadventurous Fred-Basset-loving fuddy-duddies.
*Thank you, Alex in Oakland!
Friday, December 23, 2011
Sunday, December 18, 2011
See also here.
Friday, December 16, 2011
The Cartoon Art Museum is proud to announce its latest exhibition, Black and White and Read All Over: Comics of the New Millennium, a showcase featuring nine comic strips introduced between the years 2000 and 2010. From talking animals to beleaguered cartoonists, childhood fears to childhood nightmares, the perils of adulthood to the trials of arrested development, the nonsensical to the political (which often goes right back around to nonsensical), the modern comic strip page really does include something for everyone.Original comic strips on view live and in person in the exhibit are:
My thanks to Andrew Farago, consummate comics curator, cartoonist and cool guy, for squeezing me in among this august group. Again, the place to be is Cartoon Art Museum at 655 Mission Street, San Francisco, CA 94105, (415) CAR-TOON, (415) 227-8666.
Thursday, December 15, 2011
Saturday, December 10, 2011
Thursday, December 8, 2011
Sunday, December 4, 2011
Thankfully one person grasped what I was flailing at, here (scroll down a bit). Now I don't have to make a third attempt at this.