WE GOT YOUR SIGNED COPIES OF THE COMPLETE CUL DE SAC RIGHT HERE!
Richard Thompson, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year, has graciously offered to sign copies of this beautiful boxed set when you place your order through One More Page. Because cartoonists, like banjo players, are lovable but unpredictable, we can't guarantee a delivery time. We thank you in advance for your support, and your patience. Click here to order or call us at 703-300-9746. And why not take this opportunity to putchase a signed copy of Richard's Poor Almanac?
Thursday, July 28, 2011
Theater camp was such an obvious and inevitable choice for Camp Blisshaven, not only for the ripe opportunity for small-kid comedy that it offers, but also for more sentimental reasons. My wife Amy has worked in theater with kids for quite a few years, starting with my daughters' elementary school, which has a Shakespeare program for fifth graders. The kids spend half the school year working on a Shakespeare play, sometimes a comedy, sometimes a tragedy. It's a cut-down half-hour version with multiple casting, several to a part in the big rolls. The first time we saw a production, when my older daughter was in kindergarten, they did Romeo & Juliet. We didn't know quite what to expect.
A few minutes into the play I was almost suffocating with laughter, and some other emotion that I'm not sure what to call; awed delight, maybe, that peaked during Mercutio's death scene ("A plague on both your houses") after a hugely energetic sword fight. When I was in school we didn't touch Shakespeare till 9th grade, when we read Richard III in English class and looked confused. But these fifth graders were giving a passionate, lively performance, made irresistibly funny by the fact that they were fifth graders. Also, all of the Juliets were about a foot taller than all the Romeos. It always takes me a few minutes or longer to get into the rhythm of a Shakespeare play, but I remember picking up on this Romeo & Juliet right away. Maybe the brevity of the production helped.
Anyway, Amy started volunteering to help run the production a few years later and got pretty intensively involved. One of the more glamorous skills offered in the program is stage combat, taught by a professional stage combat artist, where the kids learn how to fall, swordplay, do fake hairpulls and other vital life skills. There's even a production stuntman, a kid-size doll Amy made that gets tossed around and man-handled, and spends its offstage life on a chair in our living room. In the last 3 or 4 years Amy's been working at various after-school and summer theater camps too, and my older daughter's first summer job was assisting at one of them.
Arena Stage in DC for almost 20 years.
Sunday, July 24, 2011
Wednesday, July 20, 2011
I ( Chris Sparks) will also be more than happy to sign the prints.
Monday, July 18, 2011
This one I like just fine. It's simple enough that I could draw it half-asleep, and probably did. But it's got enough complexity to hold its own and opens the door for further elaboration in future strips. And further elaboration is something that anyone who draws a cartoon every day is always on the lookout for.
Wednesday, July 13, 2011
Monday, July 11, 2011
Tuesday, July 5, 2011
Monday, July 4, 2011
Sunday, July 3, 2011
met last summer