WE GOT YOUR SIGNED COPIES OF THE COMPLETE CUL DE SAC RIGHT HERE, next to these signed copies of the art of richard thompson!
Richard Thompson, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year, has graciously offered to sign copies of this beautiful boxed set when you place your order through One More Page. Because cartoonists, like banjo players, are lovable but unpredictable, we can't guarantee a delivery time. We thank you in advance for your support, and your patience. Click here to order or call us at 703-300-9746. And why not take this opportunity to putchase a signed copy of Richard's Poor Almanac? Or you can click here to be among the select and stand up for America by purchasing a signed copy of The Art of Richard Thompson!
Saturday, February 28, 2009
Stephan Pastis, the genius behind Pearls Before Swine, orders a tuna sandwich for lunch, and amuses himself unconstructively by doing this.
Here's a slice of desperate graveyard humor for the imploding newspaper business. If they could only reposition themselves as something more necessary, newspapers might survive. Did you know that you can clean glass with a newspaper and white vinegar?
Wednesday, February 25, 2009
The First Family makes its way down Wilson Blvd on Fat Tuesday (photo thanks to Jennifer Hart, Arlington), and they're followed by Gov. Palin, below (photo thanks to Bono Mitchell). I appreciate these as I was stuck at home and missed all the fun. My daughter Charlotte represented the family, kindly chaperoned by Mike Rhode and his daughter Claire.
Sunday, February 22, 2009
Sarah and Barack can't wait to meet you at the Mardi Gras Parade, Tuesday at 8 pm, Courthouse to Clarendon on Wilson Blvd in Arlington.
Wouldn't this make a good illustration for a kinda scary children's book?
My thanks to Bono for the photo!
Saturday, February 21, 2009
Thursday, February 19, 2009
Here's this year's Clarendon Mardi Gras poster. Various diverse hands have been constructing larger than life versions of some Almanac finger puppets to amaze and amuse the crowd.
Is that thing a tiki head, an Easter Island head or Abraham Lincoln? I just figure it's a pretty off-putting restaurant tchotchke and not at all condusive to fine dining.
You'll note "lowering" was changed to "glowering" in the final version, if you have time for such things.
Wednesday, February 18, 2009
Since I've got nothing to say and no time to say it, I'll just post the week's Cul de Sacs. Here are Tuesday's and Wednesday's. A commenter on gocomics suggests the P.J. stands for pepperjack, which seems reasonable.
Monday, February 16, 2009
This week the Otterloops go to P.J.Piehole's Family Restaurant, which I stole from the Poor Almanac. It's my futile attempt to better integrate my personality.
Saturday, February 14, 2009
Tuesday, February 10, 2009
So a coupla years later I did another fridge cartoon. It got a little convoluted, though I like the final balloon. And I like the implication that the photograph is several rungs above the comic strip on the social ladder, and that the comic strip is a little wiseguy in a derby. I'd planned on doing some more chatty fridge-clutter cartoons; they're like those old animated cartoons from the 30s where all the books on the shelves would open up and the characters would spill out and do funny stuff. But they're hard to draw and to think up and I'm lazy. For some reason I have no trouble drawing most of your major appliances. Stoves, washers and dryers present no difficulties. But refrigerators defeat me.
Sunday, February 8, 2009
As Alan Gardner kindly pointed out, today is Cul de Sac's 5th birthday. Which has me worried, as Alice is only four, so I've somehow screwed up the math again. Above is the first sketch and the drawing used on the Post Magazine cover the week it debuted. Originally it was going to be on the plastic bag holding the paper too, but that didn't happen. Which is a relief, as it might've scared away Post readers and depressed sales.
I like the sketch a lot, and I wish I could draw the strips so loosely, but somehow drawing things in little boxes cramps looseness and forces the lines to behave.